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  • Gyokudo Kawai was considered  a great master of Japanese painting who lived in Mitake so as a memorial to his accomplishments Gyokudo Museum was created by Ken Nakajima - the landscape architect. The garden has no specific observation point, thought it can be viewed from many angles without changing its general look.  A central design concept that has been used to describe this garden is nesting technique, which has long been utilized in Japanese art.  Natural stones found in adjacent Tama River were used for the garden's stones as well as a part of natural woods at the background crossed over the wall turned to be garden trees that have set the border between artificial and natural. This can be considered in contrast to borrowed scenery often employed in Japanese gardens. In other words, instead of designating as background, it directly employs the natural elements in the garden itself.
    gyukodo-3-amber.jpg
  • Gyokudo Kawai was considered  a great master of Japanese painting who lived in Mitake so as a memorial to his accomplishments Gyokudo Museum was created by Ken Nakajima - the landscape architect. The garden has no specific observation point, thought it can be viewed from many angles without changing its general look.  A central design concept that has been used to describe this garden is nesting technique, which has long been utilized in Japanese art.  Natural stones found in adjacent Tama River were used for the garden's stones as well as a part of natural woods at the background crossed over the wall turned to be garden trees that have set the border between artificial and natural. This can be considered in contrast to borrowed scenery often employed in Japanese gardens. In other words, instead of designating as background, it directly employs the natural elements in the garden itself.
    gyokudo-4.jpg
  • Gyokudo Kawai was considered  a great master of Japanese painting who lived in Mitake so as a memorial to his accomplishments Gyokudo Museum was created by Ken Nakajima - the landscape architect. The garden has no specific observation point, thought it can be viewed from many angles without changing its general look.  A central design concept that has been used to describe this garden is nesting technique, which has long been utilized in Japanese art.  Natural stones found in adjacent Tama River were used for the garden's stones as well as a part of natural woods at the background crossed over the wall turned to be garden trees that have set the border between artificial and natural. This can be considered in contrast to borrowed scenery often employed in Japanese gardens. In other words, instead of designating as background, it directly employs the natural elements in the garden itself.
    gyukodo-7.jpg
  • Gyokudo Kawai was considered  a great master of Japanese painting who lived in Mitake so as a memorial to his accomplishments Gyokudo Museum was created by Ken Nakajima - the landscape architect. The garden has no specific observation point, thought it can be viewed from many angles without changing its general look.  A central design concept that has been used to describe this garden is nesting technique, which has long been utilized in Japanese art.  Natural stones found in adjacent Tama River were used for the garden's stones as well as a part of natural woods at the background crossed over the wall turned to be garden trees that have set the border between artificial and natural. This can be considered in contrast to borrowed scenery often employed in Japanese gardens. In other words, instead of designating as background, it directly employs the natural elements in the garden itself.
    gyukodo-3.jpg
  • Gyokudo Kawai was considered  a great master of Japanese painting who lived in Mitake so as a memorial to his accomplishments Gyokudo Museum was created by Ken Nakajima - the landscape architect. The garden has no specific observation point, thought it can be viewed from many angles without changing its general look.  A central design concept that has been used to describe this garden is nesting technique, which has long been utilized in Japanese art.  Natural stones found in adjacent Tama River were used for the garden's stones as well as a part of natural woods at the background crossed over the wall turned to be garden trees that have set the border between artificial and natural. This can be considered in contrast to borrowed scenery often employed in Japanese gardens. In other words, instead of designating as background, it directly employs the natural elements in the garden itself.
    gyokudo-2.jpg
  • Gyokudo Kawai was considered  a great master of Japanese painting who lived in Mitake so as a memorial to his accomplishments Gyokudo Museum was created by Ken Nakajima - the landscape architect. The garden has no specific observation point, thought it can be viewed from many angles without changing its general look.  A central design concept that has been used to describe this garden is nesting technique, which has long been utilized in Japanese art.  Natural stones found in adjacent Tama River were used for the garden's stones as well as a part of natural woods at the background crossed over the wall turned to be garden trees that have set the border between artificial and natural. This can be considered in contrast to borrowed scenery often employed in Japanese gardens. In other words, instead of designating as background, it directly employs the natural elements in the garden itself.
    AMBER-LOTUS-2023-6.jpg
  • Gyokudo Kawai was considered  a great master of Japanese painting who lived in Mitake so as a memorial to his accomplishments Gyokudo Museum was created by Ken Nakajima - the landscape architect. The garden has no specific observation point, thought it can be viewed from many angles without changing its general look.  A central design concept that has been used to describe this garden is nesting technique, which has long been utilized in Japanese art.  Natural stones found in adjacent Tama River were used for the garden's stones as well as a part of natural woods at the background crossed over the wall turned to be garden trees that have set the border between artificial and natural. This can be considered in contrast to borrowed scenery often employed in Japanese gardens. In other words, instead of designating as background, it directly employs the natural elements in the garden itself.
    gyukodo-1.jpg
  • Gyokudo Kawai was considered  a great master of Japanese painting who lived in Mitake so as a memorial to his accomplishments Gyokudo Museum was created by Ken Nakajima - the landscape architect. The garden has no specific observation point, thought it can be viewed from many angles without changing its general look.  A central design concept that has been used to describe this garden is nesting technique, which has long been utilized in Japanese art.  Natural stones found in adjacent Tama River were used for the garden's stones as well as a part of natural woods at the background crossed over the wall turned to be garden trees that have set the border between artificial and natural. This can be considered in contrast to borrowed scenery often employed in Japanese gardens. In other words, instead of designating as background, it directly employs the natural elements in the garden itself.
    gyokudo-6.jpg
  • Gyokudo Kawai was considered  a great master of Japanese painting who lived in Mitake so as a memorial to his accomplishments Gyokudo Museum was created by Ken Nakajima - the landscape architect. The garden has no specific observation point, thought it can be viewed from many angles without changing its general look.  A central design concept that has been used to describe this garden is nesting technique, which has long been utilized in Japanese art.  Natural stones found in adjacent Tama River were used for the garden's stones as well as a part of natural woods at the background crossed over the wall turned to be garden trees that have set the border between artificial and natural. This can be considered in contrast to borrowed scenery often employed in Japanese gardens. In other words, instead of designating as background, it directly employs the natural elements in the garden itself.
    gyukodo-4.jpg
  • Gyokudo Kawai was considered  a great master of Japanese painting who lived in Mitake so as a memorial to his accomplishments Gyokudo Museum was created by Ken Nakajima - the landscape architect. The garden has no specific observation point, thought it can be viewed from many angles without changing its general look.  A central design concept that has been used to describe this garden is nesting technique, which has long been utilized in Japanese art.  Natural stones found in adjacent Tama River were used for the garden's stones as well as a part of natural woods at the background crossed over the wall turned to be garden trees that have set the border between artificial and natural. This can be considered in contrast to borrowed scenery often employed in Japanese gardens. In other words, instead of designating as background, it directly employs the natural elements in the garden itself.
    gyokudo-5.jpg
  • Gyokudo Kawai was considered  a great master of Japanese painting who lived in Mitake so as a memorial to his accomplishments Gyokudo Museum was created by Ken Nakajima - the landscape architect. The garden has no specific observation point, thought it can be viewed from many angles without changing its general look.  A central design concept that has been used to describe this garden is nesting technique, which has long been utilized in Japanese art.  Natural stones found in adjacent Tama River were used for the garden's stones as well as a part of natural woods at the background crossed over the wall turned to be garden trees that have set the border between artificial and natural. This can be considered in contrast to borrowed scenery often employed in Japanese gardens. In other words, instead of designating as background, it directly employs the natural elements in the garden itself.
    gyokudo-3.jpg
  • Gyokudo Kawai was a master of Japanese painting who lived in Mitake. As a memorial to his accomplishments Gyokudo Museum was created by Ken Nakajima, the landscape architect. The garden can be viewed from many angles without changing its general look.  A design concept used to create this garden is nesting technique, which has long been utilized in Japanese art.  Natural stones found in the adjacent Tama River were used for the garden's stones. Instead of incorporating the forest woods as background, it directly employs the natural elements in the garden itself.
    gyukodo-5.jpg
  • Gyokudo Kawai was considered  a great master of Japanese painting who lived in Mitake so as a memorial to his accomplishments Gyokudo Museum was created by Ken Nakajima - the landscape architect. The garden has no specific observation point, thought it can be viewed from many angles without changing its general look.  A central design concept that has been used to describe this garden is nesting technique, which has long been utilized in Japanese art.  Natural stones found in adjacent Tama River were used for the garden's stones as well as a part of natural woods at the background crossed over the wall turned to be garden trees that have set the border between artificial and natural. This can be considered in contrast to borrowed scenery often employed in Japanese gardens. In other words, instead of designating as background, it directly employs the natural elements in the garden itself.
    gyokudo-1.jpg
  • Gyokudo Kawai was considered  a great master of Japanese painting who lived in Mitake so as a memorial to his accomplishments Gyokudo Museum was created by Ken Nakajima - the landscape architect. The garden has no specific observation point, thought it can be viewed from many angles without changing its general look.  A central design concept that has been used to describe this garden is nesting technique, which has long been utilized in Japanese art.  Natural stones found in adjacent Tama River were used for the garden's stones as well as a part of natural woods at the background crossed over the wall turned to be garden trees that have set the border between artificial and natural. This can be considered in contrast to borrowed scenery often employed in Japanese gardens. In other words, instead of designating as background, it directly employs the natural elements in the garden itself.
    gyukodo-2.jpg
  • Gyokudo Kawai was considered  a great master of Japanese painting who lived in Mitake so as a memorial to his accomplishments Gyokudo Museum was created by Ken Nakajima - the landscape architect. The garden has no specific observation point, thought it can be viewed from many angles without changing its general look.  A central design concept that has been used to describe this garden is nesting technique, which has long been utilized in Japanese art.  Natural stones found in adjacent Tama River were used for the garden's stones as well as a part of natural woods at the background crossed over the wall turned to be garden trees that have set the border between artificial and natural. This can be considered in contrast to borrowed scenery often employed in Japanese gardens. In other words, instead of designating as background, it directly employs the natural elements in the garden itself.
    gyokudo-7.jpg
  • Gyokudo Kawai was considered  a great master of Japanese painting who lived in Mitake so as a memorial to his accomplishments Gyokudo Museum was created by Ken Nakajima - the landscape architect. The garden has no specific observation point, thought it can be viewed from many angles without changing its general look.  A central design concept that has been used to describe this garden is nesting technique, which has long been utilized in Japanese art.  Natural stones found in adjacent Tama River were used for the garden's stones as well as a part of natural woods at the background crossed over the wall turned to be garden trees that have set the border between artificial and natural. This can be considered in contrast to borrowed scenery often employed in Japanese gardens. In other words, instead of designating as background, it directly employs the natural elements in the garden itself.
    gyukodo-6.jpg
  • Jissoji is an ancient temple built in 1387 during the Nanbokucho period by the first disciple of the Mubun Zen master, Etsuo Zen Master, who opened the temple. The dry garden is a scenic spot designated by Shizuoka Prefecture. Jitsusoji Garden was discovered and rebuilt in 1994 by the Nakane Garden Research & Landscape, a gardening company in Iwata City. It is estimated that the garden was built around 1700 when the adjacent main hall and Kannon hall were maintained. Not only is it beautiful as a stone set and a dry garden, but the combination of these three artificial hills and the scenery of Mt. Mitake is very special.
    jisso-ji-02.jpg
  • Jissoji is an ancient temple built in 1387 during the Nanbokucho period by the first disciple of the Mubun Zen master, Etsuo Zen Master, who opened the temple. The dry garden is a scenic spot designated by Shizuoka Prefecture. Jitsusoji Garden was discovered and rebuilt in 1994 by the Nakane Garden Research & Landscape, a gardening company in Iwata City. It is estimated that the garden was built around 1700 when the adjacent main hall and Kannon hall were maintained. Not only is it beautiful as a stone set and a dry garden, but the combination of these three artificial hills and the scenery of Mt. Mitake is very special.
    jisso-ji-06.jpg
  • Jissoji is an ancient temple built in 1387 during the Nanbokucho period by the first disciple of the Mubun Zen master, Etsuo Zen Master, who opened the temple. The dry garden is a scenic spot designated by Shizuoka Prefecture. Jitsusoji Garden was discovered and rebuilt in 1994 by the Nakane Garden Research & Landscape, a gardening company in Iwata City. It is estimated that the garden was built around 1700 when the adjacent main hall and Kannon hall were maintained. Not only is it beautiful as a stone set and a dry garden, but the combination of these three artificial hills and the scenery of Mt. Mitake is very special.
    jisso-ji-04.jpg
  • Jissoji is an ancient temple built in 1387 during the Nanbokucho period by the first disciple of the Mubun Zen master, Etsuo Zen Master, who opened the temple. The dry garden is a scenic spot designated by Shizuoka Prefecture. Jitsusoji Garden was discovered and rebuilt in 1994 by the Nakane Garden Research & Landscape, a gardening company in Iwata City. It is estimated that the garden was built around 1700 when the adjacent main hall and Kannon hall were maintained. Not only is it beautiful as a stone set and a dry garden, but the combination of these three artificial hills and the scenery of Mt. Mitake is very special.
    jisso-ji-03.jpg
  • Jissoji is an ancient temple built in 1387 during the Nanbokucho period by the first disciple of the Mubun Zen master, Etsuo Zen Master, who opened the temple. The dry garden is a scenic spot designated by Shizuoka Prefecture. Jitsusoji Garden was discovered and rebuilt in 1994 by the Nakane Garden Research & Landscape, a gardening company in Iwata City. It is estimated that the garden was built around 1700 when the adjacent main hall and Kannon hall were maintained. Not only is it beautiful as a stone set and a dry garden, but the combination of these three artificial hills and the scenery of Mt. Mitake is very special.
    jisso-ji-01.jpg
  • Jissoji is an ancient temple built in 1387 during the Nanbokucho period by the first disciple of the Mubun Zen master, Etsuo Zen Master, who opened the temple. The dry garden is a scenic spot designated by Shizuoka Prefecture. Jitsusoji Garden was discovered and rebuilt in 1994 by the Nakane Garden Research & Landscape, a gardening company in Iwata City. It is estimated that the garden was built around 1700 when the adjacent main hall and Kannon hall were maintained. Not only is it beautiful as a stone set and a dry garden, but the combination of these three artificial hills and the scenery of Mt. Mitake is very special.
    jisso-ji-10.jpg
  • Jissoji is an ancient temple built in 1387 during the Nanbokucho period by the first disciple of the Mubun Zen master, Etsuo Zen Master, who opened the temple. The dry garden is a scenic spot designated by Shizuoka Prefecture. Jitsusoji Garden was discovered and rebuilt in 1994 by the Nakane Garden Research & Landscape, a gardening company in Iwata City. It is estimated that the garden was built around 1700 when the adjacent main hall and Kannon hall were maintained. Not only is it beautiful as a stone set and a dry garden, but the combination of these three artificial hills and the scenery of Mt. Mitake is very special.
    jisso-ji-05.jpg
  • Gyokudo Kawai was considered  a great master of Japanese painting who lived in Mitake so as a memorial to his accomplishments Gyokudo Museum was created by Ken Nakajima - the landscape architect. The garden has no specific observation point, thought it can be viewed from many angles without changing its general look.  A central design concept that has been used to describe this garden is nesting technique, which has long been utilized in Japanese art.  Natural stones found in adjacent Tama River were used for the garden's stones as well as a part of natural woods at the background crossed over the wall turned to be garden trees that have set the border between artificial and natural. This can be considered in contrast to borrowed scenery often employed in Japanese gardens. In other words, instead of designating as background, it directly employs the natural elements in the garden itself.
    AMBER-LOTUS-2023-131.jpg
  • Jissoji is an ancient temple built in 1387 during the Nanbokucho period by the first disciple of the Mubun Zen master, Etsuo Zen Master, who opened the temple. The dry garden is a scenic spot designated by Shizuoka Prefecture. Jitsusoji Garden was discovered and rebuilt in 1994 by the Nakane Garden Research & Landscape, a gardening company in Iwata City. It is estimated that the garden was built around 1700 when the adjacent main hall and Kannon hall were maintained. Not only is it beautiful as a stone set and a dry garden, but the combination of these three artificial hills and the scenery of Mt. Mitake is very special.
    jissoji-amber.jpg