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  • Hakone parquetry began some 200 years ago and uses dozens of different types of woods to create geometric patterns and highlight the natural wood tones. In wood incrustation, the craftsman carves a board and places various kinds of wood on top to make pictures and other patterns.
    japanese-design-3.jpg
  • Furoshiki are a type of traditional Japanese wrapping cloth that are used to transport clothes, gifts, or other goods. Dating back as far as the Nara period, the name furoshiki literally "bath spread" derives from the Edo period practice of using them to bundle clothes while at the sento.  Furoshiki were known as hirazutsumi "flat folded bundle"  Eventually, the furoshiki's usage extended to serve as a means for merchants to transport goods.  Nowadays they are widely used to protect and decorate a gift, lunch boxes with hundreds of other practical uses.
    furoshiki-1.jpg
  • Furoshiki are a type of traditional Japanese wrapping cloth that are used to transport clothes, gifts, or other goods. Dating back as far as the Nara period, the name furoshiki literally "bath spread" derives from the Edo period practice of using them to bundle clothes while at the sento.  Furoshiki were known as hirazutsumi "flat folded bundle"  Eventually, the furoshiki's usage extended to serve as a means for merchants to transport goods.  Nowadays they are widely used to protect and decorate a gift, lunch boxes with hundreds of other practical uses.
    furoshiki-4.jpg
  • Furoshiki are a type of traditional Japanese wrapping cloth that are used to transport clothes, gifts, or other goods. Dating back as far as the Nara period, the name furoshiki literally "bath spread" derives from the Edo period practice of using them to bundle clothes while at the sento.  Furoshiki were known as hirazutsumi "flat folded bundle"  Eventually, the furoshiki's usage extended to serve as a means for merchants to transport goods.  Nowadays they are widely used to protect and decorate a gift, lunch boxes with hundreds of other practical uses.
    furoshiki-5.jpg
  • Furoshiki are a type of traditional Japanese wrapping cloth that are used to transport clothes, gifts, or other goods. Dating back as far as the Nara period, the name furoshiki literally "bath spread" derives from the Edo period practice of using them to bundle clothes while at the sento.  Furoshiki were known as hirazutsumi "flat folded bundle"  Eventually, the furoshiki's usage extended to serve as a means for merchants to transport goods.  Nowadays they are widely used to protect and decorate a gift, lunch boxes with hundreds of other practical uses.
    furoshiki-3.jpg
  • Furoshiki are a type of traditional Japanese wrapping cloth that are used to transport clothes, gifts, or other goods. Dating back as far as the Nara period, the name furoshiki literally "bath spread" derives from the Edo period practice of using them to bundle clothes while at the sento.  Furoshiki were known as hirazutsumi "flat folded bundle"  Eventually, the furoshiki's usage extended to serve as a means for merchants to transport goods.  Nowadays they are widely used to protect and decorate a gift, lunch boxes with hundreds of other practical uses.
    furoshiki-2.jpg
  • Shizuoka accounts for 45% of Japan’s overall green tea production, and the prefecture is at the leading-edge of research with regards to the benefits that can be obtained from green tea.
    shizuoka-tea-fields-3.jpg
  • Shizuoka accounts for 45% of Japan’s overall green tea production, and the prefecture is at the leading-edge of research with regards to the benefits that can be obtained from green tea.
    shizuoka-tea-fields-1.jpg
  • 45. Mt Fuji 富士 or Fuji-san as it is called in Japan is the highest mountain in Japan at 3,776 meters or 12,388 feet in altitude.  Mt Fuji is an active volcano that last erupted in 1707 killing hundreds of people and started fires as far away as Tokyo.  By most counts, Fuji is due for another eruption as its cycle appears to be every 300 years. Fuji straddles Shizuoka and Yamanashi prefectures just west of Tokyo from where it can be seen on a clear day. Mount Fuji's symmetrical cone is a well-known symbol of Japan and is frequently visible in works of art.  Although Mount Fuji has not erupted in over 300 years it's still not extinct.
    45.FUJI-04.jpg
  • Shizuoka accounts for 45% of Japan's overall green tea production, and the prefecture is at the leading-edge of research with regards to the benefits that can be obtained from green tea.
    shizuoka-tea-fields-4.jpg
  • Shizuoka accounts for 45% of Japan’s overall green tea production, and the prefecture is at the leading-edge of research with regards to the benefits that can be obtained from green tea.
    shizuoka-tea-fields-2.jpg
  • Textured silk at the Luang Prabang Night Market which has perhaps the most extensive collection of handicrafts for sale in the country, with a wide variety of textiles, clothing, carvings, basketry, quilts, and much more. The market is open daily from dusk until about 10 pm. Strolling  through the night market is an enjoyable experience in itself and is something that should not be missed for anyone visiting Luang Prabang.
    lao-silk-3.jpg
  • Tenjuan Temple Garden - Tenjuan Temple is a small subtemple of Nanzenji dedicated to the Zen master who served Emperor Kameyama in his religious studies. Tenju-an has a main hall and study which date back to the early 17th century. Tenjuan is noteworthy for its two gardens, a rock garden and an adjacent pond garden, which are particularly attractive during autumn. The dry karesansui garden has unusual patterns normally not found in karesansui zen gardens.
    tenju-an-4.jpg
  • Tenjuan Temple Garden - Tenjuan Temple is a small subtemple of Nanzenji dedicated to the Zen master who served Emperor Kameyama in his religious studies. Tenju-an has a main hall and study which date back to the early 17th century. Tenjuan is noteworthy for its two gardens, a rock garden and an adjacent pond garden, which are particularly attractive during autumn. The dry karesansui garden has unusual patterns normally not found in karesansui zen gardens.
    tenju-an-1.jpg
  • Honen-in is most famous for its two sand mounds that are said to purify the visitor.   At the approach to the temple itself are mounds of white sand that are called Byakusadan. These symbolize water that cleans your body and mind. Patterns on the top of the mounds are changed every few days.
    AMBER-LOTUS-2023-29.jpg
  • Shodensan-so is a a venue for promoting and practicing tea ceremony.  As the variety of tea rooms confirm, Shodensan-so is not a temple but rather a center for the pursuit of tea culture in Japan.  Rare openings to visitors in November includes the tea ceremony experience, as well as a stroll through its Japanese garden and an opportunity to view exquisite sukiya architecture.  The property was built in keeping one architectural detail in mind: the square-circle duality. For example, ponds: square north, round south, to square and round window shapes, ceiling patterns to lanterns and stepping stones. Though the garden itself appears to have no real focal point, it is in fact a strolling garden where the visitor encounters various aspects of the garden as a kind of adventure.  
    shodensan-so-16.jpg
  • Shodensan-so is a a venue for promoting and practicing tea ceremony.  As the variety of tea rooms confirm, Shodensan-so is not a temple but rather a center for the pursuit of tea culture in Japan.  Rare openings to visitors in November includes the tea ceremony experience, as well as a stroll through its Japanese garden and an opportunity to view exquisite sukiya architecture.  The property was built in keeping one architectural detail in mind: the square-circle duality. For example, ponds: square north, round south, to square and round window shapes, ceiling patterns to lanterns and stepping stones. Though the garden itself appears to have no real focal point, it is in fact a strolling garden where the visitor encounters various aspects of the garden as a kind of adventure.  
    shodensan-so-17.jpg
  • Honen-in is most famous for its two sand mounds that are said to purify the visitor.   At the approach to the temple itself are mounds of white sand that are called Byakusadan. These symbolize water that cleans your body and mind. Patterns on the top of the mounds are changed every few days.
    honen-in-6.jpg
  • Honen-in is most famous for its two sand mounds that are said to purify the visitor.   At the approach to the temple itself are mounds of white sand that are called Byakusadan. These symbolize water that cleans your body and mind. Patterns on the top of the mounds are changed every few days.
    honen-in-5.jpg
  • Honen-in is most famous for its two sand mounds that are said to purify the visitor.   At the approach to the temple itself are mounds of white sand that are called Byakusadan. These symbolize water that cleans your body and mind. Patterns on the top of the mounds are changed every few days.
    honen-in-1.jpg
  • Tenjuan Temple Garden - Tenjuan Temple is a small subtemple of Nanzenji dedicated to the Zen master who served Emperor Kameyama in his religious studies. Tenju-an has a main hall and study which date back to the early 17th century. Tenjuan is noteworthy for its two gardens, a rock garden and an adjacent pond garden, which are particularly attractive during autumn. The dry karesansui garden has unusual patterns normally not found in karesansui zen gardens.
    tenju-an-3.jpg
  • At Kodai-ji temple there are several formal gardens designed by Kobori Enshu, a master Zen gardener.   Kodaiji's south garden is a karesansui, or dry rock garden featuring a large area of raked gravel,  punctuated by conical gravel formations and surrounded by a border of moss and stone. The raked gravel of a karesansui is meant to evoke the ripple patterns that form in water.
    kodaiji-1.jpg
  • At Kodai-ji temple there are several formal gardens designed by Kobori Enshu, who was an architect and master Zen gardener, as well as a master of calligraphy, poetry, and tea ceremony.  Kodaiji's south garden is a karesansui, or dry rock garden featuring a large area of raked gravel that is punctuated by conical gravel formations and surrounded by a border of moss and stone. The raked gravel of a karesansui is meant to evoke the ripple patterns that form in water.
    kodaiji-8.jpg
  • Zuiho-in Zen Garden's most intriguing feature is its main rock garden called "Dozuka-tei" which is raked into appealing patterns to suggest water ripples and waves lapping against rock formations representing the Hohrai Mountains. It was designed by Mirei Shigemori and is considered one of his most important modern Japanese gardens.
    zuiho-in-3.jpg
  • Zuiho-in Zen Garden's most intriguing feature is its main rock garden called "Dozuka-tei" which is raked into appealing patterns to suggest water ripples and waves lapping against rock formations representing the Hohrai Mountains.  It was designed by Mirei Shigemori and is considered one of his most important modern Japanese gardens.
    zuiho-in-7.jpg
  • Honen-in is most famous for its two sand mounds that are said to purify the visitor.   At the approach to the temple itself are mounds of white sand that are called Byakusadan. These symbolize water that cleans your body and mind. Patterns on the top of the mounds are changed every few days.
    honen-in-3.jpg
  • Zuiho-in Zen Garden's most intriguing feature is its main rock garden called "Dozuka-tei" which is raked into appealing patterns to suggest water ripples and waves lapping against rock formations representing the Hohrai Mountains. It was designed by Mirei Shigemori and is considered one of his most important modern Japanese gardens.
    zuiho-in-10.jpg
  • Honen-in is most famous for its two sand mounds that are said to purify the visitor.   At the approach to the temple itself are mounds of white sand that are called Byakusadan. These symbolize water that cleans your body and mind. Patterns on the top of the mounds are changed every few days.
    honen-in-2.jpg
  • Zuiho-in Garden of the Cross is raked into patterns to suggest a cross.  The founder of the temple, Otomo became a Christian before it was outlawed in Japan, and was renamed Francisco.  However, for hundreds of years the Christian background of this garden was hidden.  The Garden of the Cross is called this for the pattern that the stones make on the sand. The original idea of a cross was inspired the hidden beliefs of Otomo.
    zuiho-in-12.jpg
  • Zuiho-in Zen Garden's most intriguing feature is its main rock garden called "Dozuka-tei" which is raked into appealing patterns to suggest water ripples and waves lapping against rock formations representing the Hohrai Mountains. It was designed by Mirei Shigemori and is considered one of his most important modern Japanese gardens.
    zuiho-in-8.jpg
  • Zuiho-in Zen Garden's most intriguing feature is its main rock garden called "Dozuka-tei" which is raked into appealing patterns to suggest water ripples and waves lapping against rock formations representing the Hohrai Mountains. It was designed by Mirei Shigemori and is considered one of his most important modern Japanese gardens.
    zuiho-in-6.jpg
  • Zuiho-in Zen Garden's most intriguing feature is its main rock garden called "Dozuka-tei" which is raked into appealing patterns to suggest water ripples and waves lapping against rock formations representing the Hohrai Mountains. It was designed by Mirei Shigemori and is considered one of his most important modern Japanese gardens.
    zuiho-in-5-amber.jpg
  • Zuiho-in Zen Garden's most intriguing feature is its main rock garden called "Dozuka-tei" which is raked into appealing patterns to suggest water ripples and waves lapping against rock formations representing the Hohrai Mountains. It was designed by Mirei Shigemori and is considered one of his most important modern Japanese gardens.
    zuiho-in-5.jpg
  • Zuiho-in Zen Garden's most intriguing feature is its main rock garden called "Dozuka-tei" which is raked into appealing patterns to suggest water ripples and waves lapping against rock formations representing the Hohrai Mountains. It was designed by Mirei Shigemori and is considered one of his most important modern Japanese gardens.
    zuiho-in-1.jpg
  • Zuiho-in Zen Garden's most intriguing feature is its main rock garden called "Dozuka-tei" which is raked into appealing patterns to suggest water ripples and waves lapping against rock formations representing the Hohrai Mountains. It was designed by Mirei Shigemori and is considered one of his most important modern Japanese gardens.
    zuiho-in-9.jpg
  • Zuiho-in Zen Garden's most intriguing feature is its main rock garden called "Dozuka-tei" which is raked into appealing patterns to suggest water ripples and waves lapping against rock formations representing the Hohrai Mountains. It was designed by Mirei Shigemori and is considered one of his most important modern Japanese gardens.
    zuiho-in-2.jpg
  • Zuiho-in Zen Garden's most intriguing feature is its main rock garden called "Dozuka-tei" which is raked into appealing patterns to suggest water ripples and waves lapping against rock formations representing the Hohrai Mountains. It was designed by Mirei Shigemori and is considered one of his most important modern Japanese gardens.
    zuiho-in-11.jpg
  • Northern Garden, Tofukuji Hojo Temple.  Square cut stones and moss are distributed in a chequered pattern. Though modern in its style and composition, this is one of the most unique gardens in Japan.  Renowned landscape architect and garden designer Shigemori Mirei designed this garden in an ichimatsu inspired checked pattern.
    tofukuji-north-05.jpg
  • Northern Garden, Tofukuji Hojo Temple.  Square cut stones and moss are distributed in a chequered pattern. Though modern in its style and composition, this is one of the most unique gardens in Japan.  Renowned landscape architect and garden designer Shigemori Mirei designed this garden in an ichimatsu inspired checked pattern.
    tofukuji-north-04.jpg
  • Northern Garden, Tofukuji Hojo Temple.  Square cut stones and moss are distributed in a chequered pattern. Though modern in its style and composition, this is one of the most unique gardens in Japan.  Renowned landscape architect and garden designer Shigemori Mirei designed this garden in an ichimatsu inspired checked pattern.
    tofukuji-north-06.jpg
  • Northern Garden, Tofukuji Temple.  Square cut stones and moss are distributed in a chequered pattern. Though modern in its style and composition, this is one of the most unique gardens in Japan.  Renowned landscape architect and garden designer Shigemori Mirei designed this garden in an ichimatsu inspired pattern.
    tofukuji-north-1.jpg
  • Tofukuji Western Garden - Compared with rigidity of the southern garden's Zen-style dry stone-garden, the western garden has a gentle style composed of moss and azalea shrubs trimmed in a chequered pattern like a "Seiden" or Chinese style of dividing plots of land.  Renowned landscape architect Shigemori Mirei designed this garden
    tofukuji-west-04.jpg
  • Northern Garden, Tofukuji Temple.  Square cut stones and moss are distributed in a chequered pattern. Though modern in its style and composition, this is one of the most unique gardens in Japan.  Renowned landscape architect and garden designer Shigemori Mirei designed this garden in an ichimatsu inspired pattern.
    tofukuji-north-2.jpg
  • Tofukuji Western Garden - Compared with rigidity of the southern garden's Zen-style dry stone-garden, the western garden has a gentle style composed of moss and azalea shrubs trimmed in a chequered pattern like a "Seiden" or Chinese style of dividing plots of land.  Renowned landscape architect Shigemori Mirei designed this garden
    tofukuji-west-06.jpg
  • Tofukuji Western Garden - Compared with rigidity of the southern garden's Zen-style dry stone-garden, the western garden has a gentle style composed of moss and azalea shrubs trimmed in a chequered pattern like a "Seiden" or Chinese style of dividing plots of land.  Renowned landscape architect Shigemori Mirei designed this garden
    tofukuji-west-05.jpg
  • Tofukuji Western Garden - Compared with rigidity of the southern garden's Zen-style dry stone-garden, the western garden has a gentle style composed of moss and azalea shrubs trimmed in a chequered pattern like a "Seiden" or Chinese style of dividing plots of land.  Renowned landscape architect Shigemori Mirei designed this garden
    tofukuji-west-2.jpg
  • Tofukuji Western Garden - Compared with rigidity of the southern garden's Zen-style dry stone-garden, the western garden has a gentle style composed of moss and azalea shrubs trimmed in a chequered pattern like a "Seiden" or Chinese style of dividing plots of land.  Renowned landscape architect Shigemori Mirei designed this garden
    tofukuji-west-1.jpg
  • Tofukuji Western Garden - Compared with rigidity of the southern garden's Zen-style dry stone-garden, the western garden has a gentle style composed of moss and azalea shrubs trimmed in a chequered pattern like a "Seiden" or Chinese style of dividing plots of land.  Renowned landscape architect Shigemori Mirei designed this garden
    tofukuji-west-07.jpg
  • Rinshoji Garden, Rinshoji Temple is known for its unique modern Japanese garden, designed by renowned modern Japanese garden designer Mirei Shigemori.  Mirei fused modern art with Japanese garden design.  Here, he took advantage of the gentle hill and sculpted shrubs as part of the motif.  It follows a Japanese wave pattern, often used in kimono designs. The garden is especially alive during May when the azaleas are at their peak.
    rinshoji-03.jpg
  • Namako wall or Namako-kabe is a special Japanese design widely used for vernacular buildings, particularly on fireproof storehouses in the latter half of the Edo Period.  Typically, the namako wall is distinguished by a white grid pattern on charcoal gray slate.  Namako kabe literally means "sea cucumber wall" and is a representative type of fireproof wall for traditional Japanese buildings. Namako wall timbers are wrapped with thick earthen layers and the surface is covered with charcoal gray square tiles whose joints are protected by thick white plaster. Therefore namako wall is strong against fire and well in insulation. The black and white diagonal design creates a special symmetry with the rest of the building.  The naming of "namako" wall comes from the recognition that the shape of the joint plaster resembles a sea cucumber. As namako wall was expensive, only rich people could afford it and even those rich people gave priority to cover their kura storehouses with namako. In the center of the main settlement of Matsuzaki, Izu there are dozens of namako wall buildings.
    namako-07.jpg
  • Namako wall or Namako-kabe is a special Japanese design widely used for vernacular buildings, particularly on fireproof storehouses in the latter half of the Edo Period.  Typically, the namako wall is distinguished by a white grid pattern on charcoal gray slate.  Namako kabe literally means "sea cucumber wall" and is a representative type of fireproof wall for traditional Japanese buildings. Namako wall timbers are wrapped with thick earthen layers and the surface is covered with charcoal gray square tiles whose joints are protected by thick white plaster. Therefore namako wall is strong against fire and well in insulation. The black and white diagonal design creates a special symmetry with the rest of the building.  The naming of "namako" wall comes from the recognition that the shape of the joint plaster resembles a sea cucumber. As namako wall was expensive, only rich people could afford it and even those rich people gave priority to cover their kura storehouses with namako. In the center of the main settlement of Matsuzaki, Izu there are dozens of namako wall buildings.
    namako-06.jpg
  • Rinshoji Garden, Rinshoji Temple is known for its unique modern Japanese garden, designed by renowned modern Japanese garden designer Mirei Shigemori.  Mirei fused modern art with Japanese garden design.  Here, he took advantage of the gentle hill and sculpted shrubs as part of the motif.  It follows a Japanese wave pattern, often used in kimono designs. The garden is especially alive during May when the azaleas are at their peak.
    rinshoji-10.jpg
  • Rinshoji Garden, Rinshoji Temple is known for its unique modern Japanese garden, designed by renowned modern Japanese garden designer Mirei Shigemori.  Mirei fused modern art with Japanese garden design.  Here, he took advantage of the gentle hill and sculpted shrubs as part of the motif.  It follows a Japanese wave pattern, often used in kimono designs. The garden is especially alive during May when the azaleas are at their peak.
    rinshoji-09.jpg
  • Rinshoji Garden, Rinshoji Temple is known for its unique modern Japanese garden, designed by renowned modern Japanese garden designer Mirei Shigemori.  Mirei fused modern art with Japanese garden design.  Here, he took advantage of the gentle hill and sculpted shrubs as part of the motif.  It follows a Japanese wave pattern, often used in kimono designs. The garden is especially alive during May when the azaleas are at their peak.
    rinshoji-08.jpg
  • Rinshoji Garden, Rinshoji Temple is known for its unique modern Japanese garden, designed by renowned modern Japanese garden designer Mirei Shigemori.  Mirei fused modern art with Japanese garden design.  Here, he took advantage of the gentle hill and sculpted shrubs as part of the motif.  It follows a Japanese wave pattern, often used in kimono designs. The garden is especially alive during May when the azaleas are at their peak.
    rinshoji-07.jpg
  • Rinshoji Garden, Rinshoji Temple is known for its unique modern Japanese garden, designed by renowned modern Japanese garden designer Mirei Shigemori.  Mirei fused modern art with Japanese garden design.  Here, he took advantage of the gentle hill and sculpted shrubs as part of the motif.  It follows a Japanese wave pattern, often used in kimono designs. The garden is especially alive during May when the azaleas are at their peak.
    rinshoji-06.jpg
  • Rinshoji Garden, Rinshoji Temple is known for its unique modern Japanese garden, designed by renowned modern Japanese garden designer Mirei Shigemori.  Mirei fused modern art with Japanese garden design.  Here, he took advantage of the gentle hill and sculpted shrubs as part of the motif.  It follows a Japanese wave pattern, often used in kimono designs. The garden is especially alive during May when the azaleas are at their peak.
    rinshoji-04.jpg
  • Rinshoji Garden, Rinshoji Temple is known for its unique modern Japanese garden, designed by renowned modern Japanese garden designer Mirei Shigemori.  Mirei fused modern art with Japanese garden design.  Here, he took advantage of the gentle hill and sculpted shrubs as part of the motif.  It follows a Japanese wave pattern, often used in kimono designs. The garden is especially alive during May when the azaleas are at their peak.
    rinshoji-02.jpg
  • Rinshoji Garden, Rinshoji Temple is known for its unique modern Japanese garden, designed by renowned modern Japanese garden designer Mirei Shigemori.  Mirei fused modern art with Japanese garden design.  Here, he took advantage of the gentle hill and sculpted shrubs as part of the motif.  It follows a Japanese wave pattern, often used in kimono designs. The garden is especially alive during May when the azaleas are at their peak.
    rinshoji-01.jpg
  • To the south of the hojo at Kenninji Temple there is a dry or karesansui garden named "Daioen" which means grand garden. It is said that the pattern of white gravel symbolizes a field of clouds.  This effect is helped by the waves and ripples in the gravel which give this effect.
    kenninji-13.jpg
  • To the south of the hojo at Kenninji Temple there is a dry or karesansui garden named "Daioen" which means grand garden. It is said that the pattern of white gravel symbolizes a field of clouds.  This effect is helped by the waves and ripples in the gravel which give this effect.
    kenninji-11.jpg
  • Daioen Garden Window- To the south of the hojo at Kenninji Temple there is a dry or karesansui garden named "Daioen" which means grand garden. It is said that the pattern of white gravel symbolizes a field of clouds.  This effect is helped by the waves and ripples in the gravel which give this effect.
    kenninji-10.jpg
  • Namako wall or Namako-kabe is a special Japanese design widely used for vernacular buildings, particularly on fireproof storehouses in the latter half of the Edo Period.  Typically, the namako wall is distinguished by a white grid pattern on charcoal gray slate.  Namako kabe literally means "sea cucumber wall" and is a representative type of fireproof wall for traditional Japanese buildings. Namako wall timbers are wrapped with thick earthen layers and the surface is covered with charcoal gray square tiles whose joints are protected by thick white plaster. Therefore namako wall is strong against fire and well in insulation. The black and white diagonal design creates a special symmetry with the rest of the building.  The naming of "namako" wall comes from the recognition that the shape of the joint plaster resembles a sea cucumber. As namako wall was expensive, only rich people could afford it and even those rich people gave priority to cover their kura storehouses with namako. In the center of the main settlement of Matsuzaki, Izu there are dozens of namako wall buildings.
    namako-11.jpg
  • Namako wall or Namako-kabe is a special Japanese design widely used for vernacular buildings, particularly on fireproof storehouses in the latter half of the Edo Period.  Typically, the namako wall is distinguished by a white grid pattern on charcoal gray slate.  Namako kabe literally means "sea cucumber wall" and is a representative type of fireproof wall for traditional Japanese buildings. Namako wall timbers are wrapped with thick earthen layers and the surface is covered with charcoal gray square tiles whose joints are protected by thick white plaster. Therefore namako wall is strong against fire and well in insulation. The black and white diagonal design creates a special symmetry with the rest of the building.  The naming of "namako" wall comes from the recognition that the shape of the joint plaster resembles a sea cucumber. As namako wall was expensive, only rich people could afford it and even those rich people gave priority to cover their kura storehouses with namako. In the center of the main settlement of Matsuzaki, Izu there are dozens of namako wall buildings.
    namako-10.jpg
  • Namako wall or Namako-kabe is a special Japanese design widely used for vernacular buildings, particularly on fireproof storehouses in the latter half of the Edo Period.  Typically, the namako wall is distinguished by a white grid pattern on charcoal gray slate.  Namako kabe literally means "sea cucumber wall" and is a representative type of fireproof wall for traditional Japanese buildings. Namako wall timbers are wrapped with thick earthen layers and the surface is covered with charcoal gray square tiles whose joints are protected by thick white plaster. Therefore namako wall is strong against fire and well in insulation. The black and white diagonal design creates a special symmetry with the rest of the building.  The naming of "namako" wall comes from the recognition that the shape of the joint plaster resembles a sea cucumber. As namako wall was expensive, only rich people could afford it and even those rich people gave priority to cover their kura storehouses with namako. In the center of the main settlement of Matsuzaki, Izu there are dozens of namako wall buildings.
    namako-09.jpg
  • Namako wall or Namako-kabe is a special Japanese design widely used for vernacular buildings, particularly on fireproof storehouses in the latter half of the Edo Period.  Typically, the namako wall is distinguished by a white grid pattern on charcoal gray slate.  Namako kabe literally means "sea cucumber wall" and is a representative type of fireproof wall for traditional Japanese buildings. Namako wall timbers are wrapped with thick earthen layers and the surface is covered with charcoal gray square tiles whose joints are protected by thick white plaster. Therefore namako wall is strong against fire and well in insulation. The black and white diagonal design creates a special symmetry with the rest of the building.  The naming of "namako" wall comes from the recognition that the shape of the joint plaster resembles a sea cucumber. As namako wall was expensive, only rich people could afford it and even those rich people gave priority to cover their kura storehouses with namako. In the center of the main settlement of Matsuzaki, Izu there are dozens of namako wall buildings.
    namako-08.jpg
  • Rinshoji Garden, Rinshoji Temple is known for its unique modern Japanese garden, designed by renowned modern Japanese garden designer Mirei Shigemori.  Mirei fused modern art with Japanese garden design.  Here, he took advantage of the gentle hill and sculpted shrubs as part of the motif.  It follows a Japanese wave pattern, often used in kimono designs. The garden is especially alive during May when the azaleas are at their peak.
    rinshoji-05.jpg
  • Jisso-in Tsukabaim kakei, water basin, tsukubai, japanese basin, chozubachi, chozuya, temizuya, tsukubai, Japanese Water Basin, Tranquility;  Simplicity; serene, serenity, exterior space, nature, pattern, scenic, visual effect, no people, scenery, tranquil, tranquility, calm, historic sites, natural light, natural beauty, spirituality, simplicity, natural, landscapes, inspiration, inspiring, calming, calms, contemplative, meditative, mellow, peaceful, pleasant, beautiful, calmness,  idyllic, ideal, peacefulness, serenity, serene, nobody,
    tsukabai-60.jpg
  • Daijo-in garden was designed by Zenami in the mid Muromachi Period and fell into ruin with the demise of the temple of the same name. In 1958 the site was designated as a National Scenic Place then the Japan National Trust restored the garden to its original brilliance.  The former Daijo-in temple prospered as a temple whose chief priest was a member of the imperial family but now only the garden remains.
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  • The Moss Garden at Saihoji Temple is one of the few temples in Kyoto where visitors must request an invitation in advance before their visit. Visitors are required to participate in chanting and writing wishes before visiting the famous gardens. In this way the monks are able to maintain the temple and garden and prevent mass tourism from destroying the tranquility of the moss garden.
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  • The Moss Garden at Saihoji Temple is one of the few temples in Kyoto where visitors must request an invitation in advance before their visit. Visitors are required to participate in chanting and writing wishes before visiting the famous gardens. In this way the monks are able to maintain the temple and garden and prevent mass tourism from destroying the tranquility of the moss garden.
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  • Daisen Park Japanese Garden  - In medieval times, Osaka Sakai prospered and served as an important conduit between Japan and the rest of Asia.  Daisen garden was designed to symbolize the history of Sakai.  The garden uses the Tsukiyama Rinsen Kaiyushiki form of design and layout. The far shore arbor replicates a Chinese scenic point. The Togendai stream meanders throughout the garden with several scenic viewpoints.  Daisen Garden was created to commemorate the Sakai municipal centennial.
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  • The Moss Garden at Saihoji Temple is one of the few temples in Kyoto where visitors must request an invitation in advance before their visit. Visitors are required to participate in chanting and writing wishes before visiting the famous gardens. In this way the monks are able to maintain the temple and garden and prevent mass tourism from destroying the tranquility of the moss garden.
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  • Hiunkaku garden was created during the Taiso Period.  The garden is composed of two tsukiyama or miniature artificial mountains, punctuated by very large granite landscaping stones - most of which are placed in a way to be used as stepping stones which can be found throughout the garden.  Although the giant stones are very evident in the design, the gardens most outstanding feature is often overlooked, that of a dry riverbed known as a kare-gawa.  Few of the Takamatsu castle's original buildings remain only the Asahimon Gate and two turrets, the Ushitora Yagura and the Tsukimi Yagura, still stand. Inside the castle walls, however, visitors can enjoy a well kept garden.  At the center of the castle park stands the Hiunkaku with large tatami rooms overlooking the garden. Constructed in 1917 as a residence and governmental office, it is used today as an exhibition space and a community hall where tea ceremony and flower arrangement classes are held.
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  • Komyoji is a popular temple with locals in the Kamakura area for its abundant cherry blossoms in spring, frequent weekend flea markets, and free parking near the beach. Komyoji Garden has a rare example of a dry garden, sometimes called a Zen garden, as this temple is not of the Zen sect of Buddhism.  In addition to the temple's zen dry karesansui garden, on the north side of the temple is the pond garden, which comes to life in spring with sakura cherry trees.
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  • Shinchi Teien or Sacred Pond Garden was established during the early Meiji period.  Left dormant for many years, it was restored in 1999.  The centerpiece is a serene pond with strolling paths around it.  This secret garden is located adjacent to controversial Yasukuni Shrine.
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  • Tsukabai Water Basin at Showa Kinen Garden, Tachikawa Tokyo - Water is considered purifying in Japan, hence the emphasis on cleanliness in everyday life. Water fountains such as these, known as tsukubai, are also beneficial to hear the trickling of falling water to soothe the nerves as well. A tsukubai is a small basin provided at Japanese Buddhist temples for visitors to purify themselves by the ritual washing of hands and rinsing of the mouth. This type of ritual cleansing is also the custom for guests attending a tea ceremony.<br />
Tsukubai are usually of stone, and are often provided with a small scoop, laid across the top, ready for use.
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  • The Moss Garden at Saihoji Temple is one of the few temples in Kyoto where visitors must request an invitation in advance before their visit. Visitors are required to participate in chanting and writing sutras before visiting the famous gardens. In this way the monks are able to maintain the temple and garden and prevent mass tourism from destroying the tranquility of this UNESCO World Heritage Japanese garden.
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  • 78.5 Engakuji 円覚寺 is the main temple of the Engakuji sect of the Rinzai Buddhist sect. Engakuji is one of the leading Zen temples in eastern Japan and ranks second among Kamakura's five great Zen temples. Its unique garden was restored in 1969 according to an old drawing. Zen Buddhism regarded gardens as microcosms of the natural landscape and this is a fine example.
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  • 23. Daigo-ji 醍醐寺 Within its grounds, Daigo-ji houses eighteen of Japan’s National Treasures. Among them are buildings belonging to Sanbo-in famous for the quality of its Japanese garden.  The garden was laid out with a large pond, paths and bridges and said to contain over 700 stones.  Sanbo-in was designed for viewing from a specific perspective within the temple’s buildings. Laid out in the Momoyama period, the garden’s islands depict ‘fortuitous crane’, the ‘tortoise’ and the ‘"isle of eternal youth’ - poetic terms that show stones and ponds can be poised in a prescribed, esoteric relationship.
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  • Sorakuen was once the residence of Taijiro Kodera.  This pond garden was built in the early 20th century but now surrounded by modern buildings.  At one time the garden was called “Kodera Residence” or “Sotetsu Garden”/. When Kobe City took over its maintenance it was opened to the public under the name “Sorakuen”.  Like most strolling gardens Sorakuen has a central pond and stone pathways that circle around it.. What makes it distinct is its western influences as it was built during the Meiji period.  Although most buildings were burnt during WWII important cultural properties such as The Hassam House and Funayakata, a sort of houseboat, which were moved to the garden for the sake of preservation.
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  • Sorakuen was once the residence of Taijiro Kodera.  This pond garden was built in the early 20th century but now surrounded by modern buildings.  At one time the garden was called “Kodera Residence” or “Sotetsu Garden”/. When Kobe City took over its maintenance it was opened to the public under the name “Sorakuen”.  Like most strolling gardens Sorakuen has a central pond and stone pathways that circle around it.. What makes it distinct is its western influences as it was built during the Meiji period.  Although most buildings were burnt during WWII important cultural properties such as The Hassam House and Funayakata, a sort of houseboat, which were moved to the garden for the sake of preservation.
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  • The pond at Tsurugaoka Hachimangu Shrine is the one of the most famous spots in Kamakura for sakura viewing. The Five Peony Garden at Tsurugaoka Hachimangu Shrine - The garden was created in 1980 to commemorate the 800th anniversary of Tsurugaoka Hachimangu Shrine.  The peony garden features, in addition to 5 species of peony, large stones amongst which peonies are planted. These stones were a gift to the shrine from the Chinese government. Traditionally, peonies were always planted in China with special stones that come from the Taihu Lake in Jiangsu Province, China.  This garden was laid out by Chinese workmen along traditional lines.
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  • The pond at Tsurugaoka Hachimangu Shrine is the one of the most famous spots in Kamakura for sakura viewing. The Five Peony Garden at Tsurugaoka Hachimangu Shrine - The garden was created in 1980 to commemorate the 800th anniversary of Tsurugaoka Hachimangu Shrine.  The peony garden features, in addition to 5 species of peony, large stones amongst which peonies are planted. These stones were a gift to the shrine from the Chinese government. Traditionally, peonies were always planted in China with special stones that come from the Taihu Lake in Jiangsu Province, China.  This garden was laid out by Chinese workmen along traditional lines.
    tsurugaoka-garden-02.jpg
  • The pond at Tsurugaoka Hachimangu Shrine is the one of the most famous spots in Kamakura for sakura viewing. The Five Peony Garden at Tsurugaoka Hachimangu Shrine - The garden was created in 1980 to commemorate the 800th anniversary of Tsurugaoka Hachimangu Shrine.  The peony garden features, in addition to 5 species of peony, large stones amongst which peonies are planted. These stones were a gift to the shrine from the Chinese government. Traditionally, peonies were always planted in China with special stones that come from the Taihu Lake in Jiangsu Province, China.  This garden was laid out by Chinese workmen along traditional lines.
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  • The pond at Tsurugaoka Hachimangu Shrine is the one of the most famous spots in Kamakura for sakura viewing. The Five Peony Garden at Tsurugaoka Hachimangu Shrine - The garden was created in 1980 to commemorate the 800th anniversary of Tsurugaoka Hachimangu Shrine.  The peony garden features, in addition to 5 species of peony, large stones amongst which peonies are planted. These stones were a gift to the shrine from the Chinese government. Traditionally, peonies were always planted in China with special stones that come from the Taihu Lake in Jiangsu Province, China.  This garden was laid out by Chinese workmen along traditional lines.
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  • Tofukuji Temple Eastern Garden - Hokutoshichisei - Seven cylindrical stones are arranged in a field to represent main stars of the Great Bear of the Heavens or the Big Dipper. These stones were originally foundation stones used in other places in the temple.  Renowned landscape architect and garden designer Shigemori Mirei designed this garden to show the Great Bear of Heaven that is the Big Dipper.   The pillars were repurposed from other parts of the building.
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  • Tofukuji Temple Eastern Garden - Hokutoshichisei - Seven cylindrical stones are arranged in a field to represent main stars of the Great Bear of the Heavens or the Big Dipper. These stones were originally foundation stones used in other places in the temple.  Renowned landscape architect and garden designer Shigemori Mirei designed this garden to show the Great Bear of Heaven that is the Big Dipper.   The pillars were repurposed from other parts of the building.
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  • Tofukuji Fumo-in is a Japanese garden at Kaisan-do, a sub-temple at Tofuku-ji. On the east side of the path that cuts through the dry zen garden, a lush pond garden has a stone bridge, shrubs and a hill.
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  • Pond Garden at Tofukuji Temple - the head temple of the Tofukuji School of the Rinzai sect of Zen Buddhism.  Its original buildings were burned but were rebuilt in the 15th century according to the original plans. About this time it flourished as one of the Five Great Temples of Kyoto.  In addition to the pond garden, the main building of the temple is surrounded by gardens unique in Japan.
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  • Hashin-tei Garden at Komyo-in.  Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water.  Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm.  The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori.  Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha. Hashin-tei Garden at Komyo-in. Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water. Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm. The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori. Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha.
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  • Hashin-tei Garden at Komyo-in.  Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water.  Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm.  The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori.  Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha. Hashin-tei Garden at Komyo-in. Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water. Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm. The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori. Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha.
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  • Hashin-tei Garden at Komyo-in.  Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water.  Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm.  The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori.  Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha. Hashin-tei Garden at Komyo-in. Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water. Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm. The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori. Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha.
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  • Funda-in was founded in 1321 as a family temple for the Ichijo clan, but always had strong ties with neighboring Tofuku-ji. Funda-in has many interesting details in its interior: dried leaves embedded in the paper shoji screens from different plant leaves. Funda-in also has a very elaborate bamboo tsukubai water basin adorned with ikebana flower arrangements. The temple has three gardens: the South Garden is in front of the main hall and consists of raked gravel with a moss garden at the far end. On the moss lie two groups of stones: the one on the left represents a tortoise, the one on the right a crane. The East Garden is made up of lots of moss, stones and rhododendrons. In its far end is a small pavilion with a round window. The painter and Zen monk Sesshu is said to have designed the southern garden so the temple is also commonly called Sesshu-ji. The modern garden master Shigemori Mirei restored the garden and added the eastern garden.
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  • Maple Leaf Shoji at Funda-in - founded in 1321 as a family temple for the Ichijo clan, but always had strong ties with neighboring Tofuku-ji. Funda-in has many interesting details in its interior: dried leaves embedded in the paper shoji screens from different plant leaves. Funda-in also has a very elaborate bamboo tsukubai water basin adorned with ikebana flower arrangements. The temple has three gardens: the South Garden is in front of the main hall and consists of raked gravel with a moss garden at the far end. On the moss lie two groups of stones: the one on the left represents a tortoise, the one on the right a crane. The East Garden is made up of lots of moss, stones and rhododendrons. In its far end is a small pavilion with a round window. The painter and Zen monk Sesshu is said to have designed the southern garden so the temple is also commonly called Sesshu-ji. The modern garden master Shigemori Mirei restored the garden and added the eastern garden.
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  • Funda-in was founded in 1321 as a family temple for the Ichijo clan, but always had strong ties with neighboring Tofuku-ji. Funda-in has many interesting details in its interior: dried leaves embedded in the paper shoji screens from different plant leaves. Funda-in also has a very elaborate bamboo tsukubai water basin adorned with ikebana flower arrangements. The temple has three gardens: the South Garden is in front of the main hall and consists of raked gravel with a moss garden at the far end. On the moss lie two groups of stones: the one on the left represents a tortoise, the one on the right a crane. The East Garden is made up of lots of moss, stones and rhododendrons. In its far end is a small pavilion with a round window. The painter and Zen monk Sesshu is said to have designed the southern garden so the temple is also commonly called Sesshu-ji. The modern garden master Shigemori Mirei restored the garden and added the eastern garden.
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  • Funda-in was founded in 1321 as a family temple for the Ichijo clan, but always had strong ties with neighboring Tofuku-ji. Funda-in has many interesting details in its interior: dried leaves embedded in the paper shoji screens from different plant leaves. Funda-in also has a very elaborate bamboo tsukubai water basin adorned with ikebana flower arrangements. The temple has three gardens: the South Garden is in front of the main hall and consists of raked gravel with a moss garden at the far end. On the moss lie two groups of stones: the one on the left represents a tortoise, the one on the right a crane. The East Garden is made up of lots of moss, stones and rhododendrons. In its far end is a small pavilion with a round window. The painter and Zen monk Sesshu is said to have designed the southern garden so the temple is also commonly called Sesshu-ji. The modern garden master Shigemori Mirei restored the garden and added the eastern garden.
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  • Ryogin-an Eastern garden is the "Garden of the Inseparable". This garden uses purple gravel that is not common for zen gardens, an indicator of the modernity of its of its design. Ryogin-an gardens were designed by Shigemori Mirei the renowned landscape architect and garden designer who designed other gardens at Tofukuji, as well as other venues in Kyoto and Japan.
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  • The Adachi Museum of Art was based on the private collection of Zenko Adachi.  Adachi collected Japanese paintings, ceramics and scrolls.  Adachi himself was an aficionado of Japanese gardens and collected each pine tree and each stone for the garden himself from around Japan.   In this way he created a beautiful garden filled with his own vision and passion.  Adachi believed that Japanese gardens were "as beautiful as pictures” and even framed one of the gardens in one of the museums rooms as if it is a painting itself. Adachi Museum Garden has been selected as the best garden in Japan year after year since 2003, by the Journal of Japanese Gardens Shisai Project.
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  • The Adachi Museum of Art was based on the private collection of Zenko Adachi.  Adachi collected Japanese paintings, ceramics and scrolls.  Adachi himself was an aficionado of Japanese gardens and collected each pine tree and each stone for the garden himself from around Japan.   In this way he created a beautiful garden filled with his own vision and passion.  Adachi believed that Japanese gardens were "as beautiful as pictures” and even framed one of the gardens in one of the museums rooms as if it is a painting itself. Adachi Museum Garden has been selected as the best garden in Japan year after year since 2003, by the Journal of Japanese Gardens Shisai Project.
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