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  • Hashin-tei Garden at Komyo-in.  Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water.  Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm.  The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori.  Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha. Hashin-tei Garden at Komyo-in. Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water. Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm. The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori. Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha.
    komyo-in-11.jpg
  • Hashin-tei Garden at Komyo-in.  Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water.  Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm.  The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori.  Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha. Hashin-tei Garden at Komyo-in. Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water. Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm. The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori. Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha.
    komyo-in-9.jpg
  • Hashin-tei Garden at Komyo-in.  Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water.  Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm.  The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori.  Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha. Hashin-tei Garden at Komyo-in. Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water. Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm. The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori. Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha.
    komyo-in-6.jpg
  • Hashin-tei Garden at Komyo-in.  Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water.  Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm.  The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori.  Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha. Hashin-tei Garden at Komyo-in. Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water. Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm. The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori. Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha.
    komyo-in-09.jpg
  • Hashin-tei Garden at Komyo-in.  Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water.  Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm.  The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori.  Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha. Hashin-tei Garden at Komyo-in. Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water. Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm. The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori. Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha.
    komyo-in-3.jpg
  • Hashin-tei Garden at Komyo-in.  Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water.  Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm.  The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori.  Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha. Hashin-tei Garden at Komyo-in. Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water. Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm. The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori. Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha.
    komyo-in-8.jpg
  • Hashin-tei Garden at Komyo-in.  Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water.  Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm.  The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori.  Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha. Hashin-tei Garden at Komyo-in. Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water. Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm. The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori. Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha.
    komyo-in-4.jpg
  • Hashin-tei Garden at Komyo-in.  Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water.  Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm.  The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori.  Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha. Hashin-tei Garden at Komyo-in. Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water. Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm. The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori. Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha.
    komyo-in-10.jpg
  • Hashin-tei Garden at Komyo-in.  Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water.  Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm.  The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori.  Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha. Hashin-tei Garden at Komyo-in. Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water. Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm. The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori. Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha.
    AMBER-LOTUS-2023-142.jpg
  • Hashin-tei Garden at Komyo-in.  Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water.  Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm.  The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori.  Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha. Hashin-tei Garden at Komyo-in. Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water. Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm. The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori. Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha.
    komyo-in-12.jpg
  • Hashin-tei Garden at Komyo-in.  Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water.  Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm.  The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori.  Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha. Hashin-tei Garden at Komyo-in. Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water. Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm. The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori. Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha.
    komyo-in-07.jpg
  • Hashin-tei Garden at Komyo-in.  Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water.  Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm.  The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori.  Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha. Hashin-tei Garden at Komyo-in. Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water. Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm. The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori. Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha.
    komyo-in-1.jpg
  • Hashin-tei Garden at Komyo-in.  Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water.  Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm.  The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori.  Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha. Hashin-tei Garden at Komyo-in. Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water. Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm. The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori. Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha.
    AMBER-2022-136.jpg
  • Hashin-tei Garden at Komyo-in.  Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water.  Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm.  The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori.  Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha. Hashin-tei Garden at Komyo-in. Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water. Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm. The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori. Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha.
    komyo-in-2.jpg
  • Hashin-tei Garden at Komyo-in.  Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water.  Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm.  The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori.  Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha. Hashin-tei Garden at Komyo-in. Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water. Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm. The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori. Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha.
    komyo-in-5.jpg
  • Hashin-tei Garden at Komyo-in.  Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water.  Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm.  The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori.  Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha. Hashin-tei Garden at Komyo-in. Komyo-in is one of many sub-temples at Tofuku-ji and was founded in 1391. Several tatami rooms in this small temple offer a commanding view of its fine garden. The central part of the garden is a composed of a moss and stone design with numerous standing stones protruding from the mossy hillocks. The raked gravel, symbolizes water. Komyo-in is much quieter than the rest of Tofuku-ji, even during the peak seasons and there lies is charm. The garden at Komyo-in was designed by renowned garden designer and landscape architect Mirei Shigemori. Mirei designed the garden with three Buddhist triads with stones placed on lines drawn from the large stone in the middle of the garden likened to rays from the Buddha.
    AMBER-2021-ELEMENTS-1.jpg
  • Ryogin-an was originally the residence of the third abott of Tofuku-ji, The most prominent features of this temple are its three zen gardens designed in karesansui style.  The Garden of the Dragon one of the finest modern karesansui gardens designed by Shigemori Mirei, with stones dramatically placed amidst black and white gravel.  The dark areas represent dragons or clouds.  The Eastern garden is the "Garden of the Inseparable", with a simple ginkgo tree standing in the background. This garden uses purple gravel that is not common for zen gardens, a clue as to the modernity of its design. All three gardens were designed by Shigemori Mirei a modern master landscape gardener who designed other gardens in Tofukuji as well as others in Kyoto and Japan
    ryugin-an-7.jpg
  • Ryogin-an was originally the residence of the third abott of Tofuku-ji. The Garden of the Dragon is one of the finest modern karesansui gardens designed by Shigemori Mirei, with stones dramatically placed amidst black and white gravel - each dark area represents a dragon or clouds.  The Eastern garden is the "Garden of the Inseparable", with a simple ginkgo tree standing in the background. This garden uses purple gravel that is not common for zen gardens, and hints at the recency of its design. All three gardens were designed by Shigemori Mirei a modern master landscape gardener who designed other gardens in Tofukuji as well as others in Kyoto and around Japan
    ryugin-an-1.jpg
  • Ryogin-an was originally the residence of the third abott of Tofuku-ji. The Garden of the Dragon is one of the finest modern karesansui gardens designed by Shigemori Mirei, with stones dramatically placed amidst black and white gravel - each dark area represents a dragon or clouds.  The Eastern garden is the "Garden of the Inseparable", with a simple ginkgo tree standing in the background. This garden uses purple gravel that is not common for zen gardens, and hints at the recency of its design. All three gardens were designed by Shigemori Mirei a modern master landscape gardener who designed other gardens in Tofukuji as well as others in Kyoto and indeed Japan.
    AMBER-LOTUS-2023-83.jpg
  • Ryogin-an was originally the residence of the third abott of Tofuku-ji. The Garden of the Dragon is one of the finest modern karesansui gardens designed by Shigemori Mirei, with stones dramatically placed amidst black and white gravel - each dark area represents a dragon or clouds.  The Eastern garden is the "Garden of the Inseparable", with a simple ginkgo tree standing in the background. This garden uses purple gravel that is not common for zen gardens, and hints at the recency of its design. All three gardens were designed by Shigemori Mirei a modern master landscape gardener who designed other gardens in Tofukuji as well as others in Kyoto and indeed Japan.
    ryugin-an-6.jpg
  • Ryogin-an was originally the residence of the third abott of Tofuku-ji. The Garden of the Dragon is one of the finest modern karesansui gardens designed by Shigemori Mirei, with stones dramatically placed amidst black and white gravel - each dark area represents a dragon or clouds.  The Eastern garden is the "Garden of the Inseparable", with a simple ginkgo tree standing in the background. This garden uses purple gravel that is not common for zen gardens, and hints at the recency of its design. All three gardens were designed by Shigemori Mirei a modern master landscape gardener who designed other gardens in Tofukuji as well as others in Kyoto and indeed Japan.
    ryugin-an-2.jpg
  • Tofukuji Fumo-in is a Japanese garden at Kaisan-do, a sub-temple at Tofuku-ji. On the east side of the path that cuts through the dry zen garden, a lush pond garden has a stone bridge, shrubs and a hill.
    fumo-in-kaisando-03.jpg
  • Tofukuji Fumo-in is a Japanese garden at Kaisan-do, a sub-temple at Tofuku-ji. On the east side of the path that cuts through the dry zen garden, a lush pond garden has a stone bridge, shrubs and a hill.
    fumo-in-kaisando-04.jpg
  • Tofukuji Fumo-in is a Japanese garden at Kaisan-do, a sub-temple at Tofuku-ji. On the east side of the path that cuts through the dry zen garden, a lush pond garden has a stone bridge, shrubs and a hill. Besides being one of the finest gardens in Kyoto, it is rarely visited to tour groups as it is overshadowed by its neighbor Tofukuji.
    fumo-in-kaisando-11.jpg
  • Tofukuji Fumo-in is a Japanese garden at Kaisan-do, a sub-temple at Tofuku-ji. On the east side of the path that cuts through the dry zen garden, a lush pond garden has a stone bridge, shrubs and a hill.
    fumo-in-kaisando-06.jpg
  • Tofukuji Fumo-in is a Zen garden in Kaisan-do, sub-temples at Tofuku-ji.  The dry landscape karesansui garden here is composed of gravel raked into rectangles of sand arranged in a checkerboard fashion. At the end of the dry garden there is a small island with rocks and trees representing a turtle and a crane which are symbols of longevity.  The stone path that cuts through the garden in front of the main hall results in one of the most unique gardens in Kyoto.  On the east side of the path the lush pond garden has a stone bridge, shrubs and a hill.
    fumo-in-kaisando-07.jpg
  • Tofukuji Fumo-in is a Japanese garden at Kaisan-do, a sub-temple at Tofuku-ji. On the east side of the path that cuts through the dry zen garden, a lush pond garden has a stone bridge, shrubs and a hill.
    fumo-in-kaisando-01.jpg
  • Tofukuji Fumo-in is a Zen garden in Kaisan-do, sub-temples at Tofuku-ji.  The dry landscape karesansui garden here is composed of gravel raked into rectangles of sand arranged in a checkerboard fashion. At the end of the dry garden there is a small island with rocks and trees representing a turtle and a crane which are symbols of longevity.  The stone path that cuts through the garden in front of the main hall results in one of the most unique gardens in Kyoto.  On the east side of the path the lush pond garden has a stone bridge, shrubs and a hill.
    fumo-in-kaisando-10.jpg
  • Tofukuji Fumo-in is a Zen garden in Kaisan-do, sub-temples at Tofuku-ji.  The dry landscape karesansui garden here is composed of gravel raked into rectangles of sand arranged in a checkerboard fashion. At the end of the dry garden there is a small island with rocks and trees representing a turtle and a crane which are symbols of longevity.  The stone path that cuts through the garden in front of the main hall results in one of the most unique gardens in Kyoto.  On the east side of the path the lush pond garden has a stone bridge, shrubs and a hill.
    fumo-in-kaisando-13.jpg
  • Tofukuji Fumo-in is a Zen garden in Kaisan-do, sub-temples at Tofuku-ji.  The dry landscape karesansui garden here is composed of gravel raked into rectangles of sand arranged in a checkerboard fashion. At the end of the dry garden there is a small island with rocks and trees representing a turtle and a crane which are symbols of longevity.  The stone path that cuts through the garden in front of the main hall results in one of the most unique gardens in Kyoto.  On the east side of the path the lush pond garden has a stone bridge, shrubs and a hill.
    fumo-in-kaisando-09.jpg
  • Tofukuji Fumo-in is a Zen garden in Kaisan-do, sub-temples at Tofuku-ji.  The dry landscape karesansui garden here is composed of gravel raked into rectangles of sand arranged in a checkerboard fashion. At the end of the dry garden there is a small island with rocks and trees representing a turtle and a crane which are symbols of longevity.  The stone path that cuts through the garden in front of the main hall results in one of the most unique gardens in Kyoto.  On the east side of the path the lush pond garden has a stone bridge, shrubs and a hill.
    fumo-in-kaisando-12.jpg
  • Tofukuji Fumo-in is a Japanese garden at Kaisan-do, a sub-temple at Tofuku-ji. On the east side of the path that cuts through the dry zen garden, a lush pond garden has a stone bridge, shrubs and a hill.
    fumo-in-kaisando-02.jpg
  • Tofukuji Fumo-in is a Zen garden in Kaisan-do, sub-temples at Tofuku-ji.  The dry landscape karesansui garden here is composed of gravel raked into rectangles of sand arranged in a checkerboard fashion. At the end of the dry garden there is a small island with rocks and trees representing a turtle and a crane which are symbols of longevity.  The stone path that cuts through the garden in front of the main hall results in one of the most unique gardens in Kyoto.  On the east side of the path the lush pond garden has a stone bridge, shrubs and a hill.
    fumo-in-kaisando-08.jpg
  • Ryugin-an Eastern garden is the "Garden of the Inseparable".  This garden uses purple gravel that is not common for zen gardens, an indicator of the modernity of its design.  Ryugin-an gardens were designed by Shigemori Mirei the renowned landscape architect and garden designer who designed other gardens at Tofukuji, as well as other venues in Kyoto and elsewhere in Japan.
    ryugin-an-4.jpg
  • Ryogin-an Eastern garden is the "Garden of the Inseparable". This garden uses purple gravel that is not common for zen gardens, an indicator of the modernity of its of its design. Ryogin-an gardens were designed by Shigemori Mirei the renowned landscape architect and garden designer who designed other gardens at Tofukuji, as well as other venues in Kyoto and Japan.
    ryugin-an-5.jpg
  • Tofukuji Temple Eastern Garden - Hokutoshichisei - Seven cylindrical stones are arranged in a field to represent main stars of the Great Bear of the Heavens or the Big Dipper. These stones were originally foundation stones used in other places in the temple.  Renowned landscape architect and garden designer Shigemori Mirei designed this garden to show the Great Bear of Heaven that is the Big Dipper.   The pillars were repurposed from other parts of the building.
    tofukuji-east-04.jpg
  • Tofukuji South Garden, in front of the Hojo is the most contrived work among the four gardens and is composed of rock compositions symbolizing Elysian islands - from the east to the west named "Eiju, Horai, Koryo, and Hojo" - placed on the sand garden floor "Hakkai" meaning the eight seas and five moss covered sacred mountains at the western end.  The garden was designed by renowned landscape architect Mirei Shigemori and considered to be one of his most important and representative works.
    tofukuji-south-5.jpg
  • Tofukuji Temple Eastern Garden - Hokutoshichisei - Seven cylindrical stones are arranged in a field to represent main stars of the Great Bear of the Heavens or the Big Dipper. These stones were originally foundation stones used in other places in the temple.  Renowned landscape architect and garden designer Shigemori Mirei designed this garden to show the Great Bear of Heaven that is the Big Dipper.   The pillars were repurposed from other parts of the building.
    tofukuji-east-06.jpg
  • Tofukuji South Garden, in front of the Hojo is the most contrived work among the four gardens and is composed of rock compositions symbolizing Elysian islands - from the east to the west named "Eiju, Horai, Koryo, and Hojo" - placed on the sand garden floor "Hakkai" meaning the eight seas and five moss covered sacred mountains at the western end.  The garden was designed by renowned landscape architect Mirei Shigemori and considered to be one of his most important and representative works.
    tofukuji-south-2.jpg
  • Tofukuji Western Garden - Compared with rigidity of the southern garden's Zen-style dry stone-garden, the western garden has a gentle style composed of moss and azalea shrubs trimmed in a chequered pattern like a "Seiden" or Chinese style of dividing plots of land.  Renowned landscape architect Shigemori Mirei designed this garden
    tofukuji-west-2.jpg
  • Tofukuji Western Garden - Compared with rigidity of the southern garden's Zen-style dry stone-garden, the western garden has a gentle style composed of moss and azalea shrubs trimmed in a chequered pattern like a "Seiden" or Chinese style of dividing plots of land.  Renowned landscape architect Shigemori Mirei designed this garden
    tofukuji-west-04.jpg
  • Tofukuji Western Garden - Compared with rigidity of the southern garden's Zen-style dry stone-garden, the western garden has a gentle style composed of moss and azalea shrubs trimmed in a chequered pattern like a "Seiden" or Chinese style of dividing plots of land.  Renowned landscape architect Shigemori Mirei designed this garden
    tofukuji-west-05.jpg
  • Tofukuji Western Garden - Compared with rigidity of the southern garden's Zen-style dry stone-garden, the western garden has a gentle style composed of moss and azalea shrubs trimmed in a chequered pattern like a "Seiden" or Chinese style of dividing plots of land.  Renowned landscape architect Shigemori Mirei designed this garden
    tofukuji-west-1.jpg
  • Tofukuji South Garden, in front of the Hojo is the most contrived work among the four gardens and is composed of rock compositions symbolizing Elysian islands - from the east to the west named "Eiju, Horai, Koryo, and Hojo" - placed on the sand garden floor "Hakkai" meaning the eight seas and five moss covered sacred mountains at the western end.  The garden was designed by renowned landscape architect Mirei Shigemori and considered to be one of his most important and representative works.
    tofukuji-south-3.jpg
  • Tofukuji South Garden, in front of the Hojo is the most contrived work among the four gardens and is composed of rock compositions symbolizing Elysian islands - from the east to the west named "Eiju, Horai, Koryo, and Hojo" - placed on the sand garden floor "Hakkai" meaning the eight seas and five moss covered sacred mountains at the western end.  The garden was designed by renowned landscape architect Mirei Shigemori and considered to be one of his most important and representative works.
    tofukuji-south-1.jpg
  • Tofukuji Western Garden - Compared with rigidity of the southern garden's Zen-style dry stone-garden, the western garden has a gentle style composed of moss and azalea shrubs trimmed in a chequered pattern like a "Seiden" or Chinese style of dividing plots of land.  Renowned landscape architect Shigemori Mirei designed this garden
    tofukuji-west-06.jpg
  • Tofukuji South Garden, in front of the Hojo is the most contrived work among the four gardens and is composed of rock compositions symbolizing Elysian islands - from the east to the west named "Eiju, Horai, Koryo, and Hojo" - placed on the sand garden floor "Hakkai" meaning the eight seas and five moss covered sacred mountains at the western end.  The garden was designed by renowned landscape architect Mirei Shigemori and considered to be one of his most important and representative works.
    tofukuji-south-6.jpg
  • Tofukuji South Garden, in front of the Hojo is the most contrived work among the four gardens and is composed of rock compositions symbolizing Elysian islands - from the east to the west named "Eiju, Horai, Koryo, and Hojo" - placed on the sand garden floor "Hakkai" meaning the eight seas and five moss covered sacred mountains at the western end.  The garden was designed by renowned landscape architect Mirei Shigemori and considered to be one of his most important and representative works.
    tofukuji-south-11.jpg
  • Tofukuji South Garden, in front of the Hojo is the most contrived work among the four gardens and is composed of rock compositions symbolizing Elysian islands - from the east to the west named "Eiju, Horai, Koryo, and Hojo" - placed on the sand garden floor "Hakkai" meaning the eight seas and five moss covered sacred mountains at the western end.  The garden was designed by renowned landscape architect Mirei Shigemori and considered to be one of his most important and representative works.
    tofukuji-south-08.jpg
  • Tofukuji Temple Eastern Garden - Hokutoshichisei - Seven cylindrical stones are arranged in a field to represent main stars of the Great Bear of the Heavens or the Big Dipper. These stones were originally foundation stones used in other places in the temple.  Renowned landscape architect and garden designer Shigemori Mirei designed this garden to show the Great Bear of Heaven that is the Big Dipper.   The pillars were repurposed from other parts of the building.
    tofukuji-east-05.jpg
  • Tofukuji Temple Eastern Garden - Hokutoshichisei - Seven cylindrical stones are arranged in a field to represent main stars of the Great Bear of the Heavens or the Big Dipper. These stones were originally foundation stones used in other places in the temple.  Renowned landscape architect and garden designer Shigemori Mirei designed this garden to show the Great Bear of Heaven that is the Big Dipper.   The pillars were repurposed from other parts of the building.
    tofukuji-east-2.jpg
  • Northern Garden, Tofukuji Hojo Temple.  Square cut stones and moss are distributed in a chequered pattern. Though modern in its style and composition, this is one of the most unique gardens in Japan.  Renowned landscape architect and garden designer Shigemori Mirei designed this garden in an ichimatsu inspired checked pattern.
    tofukuji-north-05.jpg
  • Northern Garden, Tofukuji Temple.  Square cut stones and moss are distributed in a chequered pattern. Though modern in its style and composition, this is one of the most unique gardens in Japan.  Renowned landscape architect and garden designer Shigemori Mirei designed this garden in an ichimatsu inspired pattern.
    tofukuji-north-1.jpg
  • Tofukuji South Garden, in front of the Hojo is the most contrived work among the four gardens and is composed of rock compositions symbolizing Elysian islands - from the east to the west named "Eiju, Horai, Koryo, and Hojo" - placed on the sand garden floor "Hakkai" meaning the eight seas and five moss covered sacred mountains at the western end.  The garden was designed by renowned landscape architect Mirei Shigemori and considered to be one of his most important and representative works.
    tofukuji-south-09.jpg
  • Tofukuji South Garden, in front of the Hojo is the most contrived work among the four gardens and is composed of rock compositions symbolizing Elysian islands - from the east to the west named "Eiju, Horai, Koryo, and Hojo" - placed on the sand garden floor "Hakkai" meaning the eight seas and five moss covered sacred mountains at the western end.  The garden was designed by renowned landscape architect Mirei Shigemori and considered to be one of his most important and representative works.
    tofukuji-south-12.jpg
  • Tofukuji South Garden, in front of the Hojo is the most contrived work among the four gardens and is composed of rock compositions symbolizing Elysian islands - from the east to the west named "Eiju, Horai, Koryo, and Hojo" - placed on the sand garden floor "Hakkai" meaning the eight seas and five moss covered sacred mountains at the western end.  The garden was designed by renowned landscape architect Mirei Shigemori and considered to be one of his most important and representative works.
    tofukuji-south-10.jpg
  • Northern Garden, Tofukuji Hojo Temple.  Square cut stones and moss are distributed in a chequered pattern. Though modern in its style and composition, this is one of the most unique gardens in Japan.  Renowned landscape architect and garden designer Shigemori Mirei designed this garden in an ichimatsu inspired checked pattern.
    tofukuji-north-06.jpg
  • Northern Garden, Tofukuji Hojo Temple.  Square cut stones and moss are distributed in a chequered pattern. Though modern in its style and composition, this is one of the most unique gardens in Japan.  Renowned landscape architect and garden designer Shigemori Mirei designed this garden in an ichimatsu inspired checked pattern.
    tofukuji-north-04.jpg
  • Northern Garden, Tofukuji Temple.  Square cut stones and moss are distributed in a chequered pattern. Though modern in its style and composition, this is one of the most unique gardens in Japan.  Renowned landscape architect and garden designer Shigemori Mirei designed this garden in an ichimatsu inspired pattern.
    tofukuji-north-2.jpg
  • Tofukuji South Garden, in front of the Hojo is the most contrived work among the four gardens and is composed of rock compositions symbolizing Elysian islands - from the east to the west named "Eiju, Horai, Koryo, and Hojo" - placed on the sand garden floor "Hakkai" meaning the eight seas and five moss covered sacred mountains at the western end.  The garden was designed by renowned landscape architect Mirei Shigemori and considered to be one of his most important and representative works.
    tofukuji-south-4.jpg
  • Tofukuji Western Garden - Compared with rigidity of the southern garden's Zen-style dry stone-garden, the western garden has a gentle style composed of moss and azalea shrubs trimmed in a chequered pattern like a "Seiden" or Chinese style of dividing plots of land.  Renowned landscape architect Shigemori Mirei designed this garden
    tofukuji-west-07.jpg
  • Tofukuji Temple Eastern Garden - Hokutoshichisei - Seven cylindrical stones are arranged in a field to represent main stars of the Great Bear of the Heavens or the Big Dipper. These stones were originally foundation stones used in other places in the temple.  Renowned landscape architect and garden designer Shigemori Mirei designed this garden to show the Great Bear of Heaven that is the Big Dipper.   The pillars were repurposed from other parts of the building.
    tofukuji-east-1.jpg
  • Funda-in was founded in 1321 as a family temple for the Ichijo clan, but always had strong ties with neighboring Tofuku-ji. Funda-in has many interesting details in its interior: dried leaves embedded in the paper shoji screens from different plant leaves. Funda-in also has a very elaborate bamboo tsukubai water basin adorned with ikebana flower arrangements. The temple has three gardens: the South Garden is in front of the main hall and consists of raked gravel with a moss garden at the far end. On the moss lie two groups of stones: the one on the left represents a tortoise, the one on the right a crane. The East Garden is made up of lots of moss, stones and rhododendrons. In its far end is a small pavilion with a round window. The painter and Zen monk Sesshu is said to have designed the southern garden so the temple is also commonly called Sesshu-ji. The modern garden master Shigemori Mirei restored the garden and added the eastern garden.
    funda-in-11.jpg
  • Funda-in was founded in 1321 as a family temple for the Ichijo clan, but always had strong ties with neighboring Tofuku-ji. Funda-in has many interesting details in its interior: dried leaves embedded in the paper shoji screens from different plant leaves. Funda-in also has a very elaborate bamboo tsukubai water basin adorned with ikebana flower arrangements. The temple has three gardens: the South Garden is in front of the main hall and consists of raked gravel with a moss garden at the far end. On the moss lie two groups of stones: the one on the left represents a tortoise, the one on the right a crane. The East Garden is made up of lots of moss, stones and rhododendrons. In its far end is a small pavilion with a round window. The painter and Zen monk Sesshu is said to have designed the southern garden so the temple is also commonly called Sesshu-ji. The modern garden master Shigemori Mirei restored the garden and added the eastern garden.
    AMBER-2022-130.jpg
  • Funda-in was founded in 1321 as a family temple for the Ichijo clan, but always had strong ties with neighboring Tofuku-ji. Funda-in has many interesting details in its interior: dried leaves embedded in the paper shoji screens from different plant leaves. Funda-in also has a very elaborate bamboo tsukubai water basin adorned with ikebana flower arrangements. The temple has three gardens: the South Garden is in front of the main hall and consists of raked gravel with a moss garden at the far end. On the moss lie two groups of stones: the one on the left represents a tortoise, the one on the right a crane. The East Garden is made up of lots of moss, stones and rhododendrons. In its far end is a small pavilion with a round window. The painter and Zen monk Sesshu is said to have designed the southern garden so the temple is also commonly called Sesshu-ji. The modern garden master Shigemori Mirei restored the garden and added the eastern garden.
    funda-in-02.jpg
  • Funda-in was founded in 1321 as a family temple for the Ichijo clan, but always had strong ties with neighboring Tofuku-ji. Funda-in has many interesting details in its interior: dried leaves embedded in the paper shoji screens from different plant leaves. Funda-in also has a very elaborate bamboo tsukubai water basin adorned with ikebana flower arrangements. The temple has three gardens: the South Garden is in front of the main hall and consists of raked gravel with a moss garden at the far end. On the moss lie two groups of stones: the one on the left represents a tortoise, the one on the right a crane. The East Garden is made up of lots of moss, stones and rhododendrons. In its far end is a small pavilion with a round window. The painter and Zen monk Sesshu is said to have designed the southern garden so the temple is also commonly called Sesshu-ji. The modern garden master Shigemori Mirei restored the garden and added the eastern garden.
    funda-in-01.jpg
  • Maple Leaf Shoji at Funda-in - founded in 1321 as a family temple for the Ichijo clan, but always had strong ties with neighboring Tofuku-ji. Funda-in has many interesting details in its interior: dried leaves embedded in the paper shoji screens from different plant leaves. Funda-in also has a very elaborate bamboo tsukubai water basin adorned with ikebana flower arrangements. The temple has three gardens: the South Garden is in front of the main hall and consists of raked gravel with a moss garden at the far end. On the moss lie two groups of stones: the one on the left represents a tortoise, the one on the right a crane. The East Garden is made up of lots of moss, stones and rhododendrons. In its far end is a small pavilion with a round window. The painter and Zen monk Sesshu is said to have designed the southern garden so the temple is also commonly called Sesshu-ji. The modern garden master Shigemori Mirei restored the garden and added the eastern garden.
    funda-in-10.jpg
  • Ryogin-an was originally the residence of the third abott of Tofuku-ji, The most prominent features of this temple are its three day zen gardens karesansui style. Thesouth garden, called the "garden of vanity" lies in front of the hojo. It consists in an austere rectangle of raked gravel, nicely echoing the emptiness of vanity.  At the western end of the garden a bamboo fence with a unique design closes the perspective together with the maples that loom over it. The design of the fence has no particular meaning according to the monk I asked to, but the pamphlet says they're lighting bolts.  The Garden of the Dragon one of the finest modern karesansui gardens, with stones dramatically placed amidst black and white gravel - each dark area represents something a dragon or clouds.  The Eastern garden is the "Garden of the Inseparable", with a simple ginkgo tree standing in the background. This garden uses purple gravel that is not common for zen gardens, and hints at the recency of its design. All three gardens were designed by Shigemori Mirei a modern master landscape gardener who designed other gardens in Tofukuji as well as others in Kyoto and indeed Japan.
    ryugin-an-3.jpg
  • Funda-in was founded in 1321 as a family temple for the Ichijo clan, but always had strong ties with neighboring Tofuku-ji. Funda-in has many interesting details in its interior: dried leaves embedded in the paper shoji screens from different plant leaves. Funda-in also has a very elaborate bamboo tsukubai water basin adorned with ikebana flower arrangements. The temple has three gardens: the South Garden is in front of the main hall and consists of raked gravel with a moss garden at the far end. On the moss lie two groups of stones: the one on the left represents a tortoise, the one on the right a crane. The East Garden is made up of lots of moss, stones and rhododendrons. In its far end is a small pavilion with a round window. The painter and Zen monk Sesshu is said to have designed the southern garden so the temple is also commonly called Sesshu-ji. The modern garden master Shigemori Mirei restored the garden and added the eastern garden.
    AMBER-2022-C-50.jpg
  • Pond Garden at Tofukuji Temple - the head temple of the Tofukuji School of the Rinzai sect of Zen Buddhism.  Its original buildings were burned but were rebuilt in the 15th century according to the original plans. About this time it flourished as one of the Five Great Temples of Kyoto.  In addition to the pond garden, the main building of the temple is surrounded by gardens unique in Japan.
    tofukuji-10-crop.jpg
  • Pond Garden at Tofukuji Temple - the head temple of the Tofukuji School of the Rinzai sect of Zen Buddhism.  Its original buildings were burned but were rebuilt in the 15th century according to the original plans. About this time it flourished as one of the Five Great Temples of Kyoto.  In addition to the pond garden, the main building of the temple is surrounded by gardens unique in Japan.
    tofukuji-pond-1.jpg
  • Ikkai-in is a quiet and has its own unique character and particularities. The most obvious of which is the central pine tree and its long lone branch supported by a couple of poles. This tree is the structuring element of the garden and can serve as a window for the other elements in the background: two stone lanterns, a red or two lost among the satsuki rhododendrons and, finally, a stepping stone path.
    ikkai-in-1.jpg
  • Ikkai-in is a quiet and has its own unique character and particularities. The most obvious of which is the central pine tree and its long lone branch supported by a couple of poles. This tree is the structuring element of the garden and can serve as a window for the other elements in the background: two stone lanterns, a red or two lost among the satsuki rhododendrons and, finally, a stepping stone path.
    ikkai-in-2.jpg
  • Ikkai-in is a quiet and has its own unique character and particularities. The most obvious of which is the central pine tree and its long lone branch supported by a couple of poles. This tree is the structuring element of the garden and can serve as a window for the other elements in the background: two stone lanterns, a red or two lost among the satsuki rhododendrons and, finally, a stepping stone path.
    ikkai-in-3.jpg
  • Autumn Leaves at Tofukuji Temple is the head temple of the Tofukuji School of the Rinzai sect of Zen Buddhism.  Its original buildings were burned but were rebuilt in the 15th century according to the original plans. About this time it flourished as one of the Five Great Temples of Kyoto.  Tofukuji is renowned for its maple trees in autumn, a favorite spot for Japanese leaf peepers.
    tofukuji-6.jpg
  • Tofukuji Fumo-in is a Japanese garden at Kaisan-do, a sub-temple at Tofuku-ji. On the east side of the path that cuts through the dry zen garden, a lush pond garden has a stone bridge, shrubs and a hill.
    tofukuji-10.jpg
  • Funda-in was founded in 1321 as a family temple for the Ichijo clan, but always had strong ties with neighboring Tofuku-ji. Funda-in has many interesting details in its interior: dried leaves embedded in the paper shoji screens from different plant leaves. Funda-in also has a very elaborate bamboo tsukubai water basin adorned with ikebana flower arrangements. The temple has three gardens: the South Garden is in front of the main hall and consists of raked gravel with a moss garden at the far end. On the moss lie two groups of stones: the one on the left represents a tortoise, the one on the right a crane. The East Garden is made up of lots of moss, stones and rhododendrons. In its far end is a small pavilion with a round window. The painter and Zen monk Sesshu is said to have designed the southern garden so the temple is also commonly called Sesshu-ji. The modern garden master Shigemori Mirei restored the garden and added the eastern garden.
    funda-in-06.jpg
  • Maple Leaf Shoji at Funda-in - founded in 1321 as a family temple for the Ichijo clan, but always had strong ties with neighboring Tofuku-ji. Funda-in has many interesting details in its interior: dried leaves embedded in the paper shoji screens from different plant leaves. Funda-in also has a very elaborate bamboo tsukubai water basin adorned with ikebana flower arrangements. The temple has three gardens: the South Garden is in front of the main hall and consists of raked gravel with a moss garden at the far end. On the moss lie two groups of stones: the one on the left represents a tortoise, the one on the right a crane. The East Garden is made up of lots of moss, stones and rhododendrons. In its far end is a small pavilion with a round window.
    funda-in-09.jpg
  • Tsukubai at Funda-in - founded in 1321 as a family temple for the Ichijo clan, but always had strong ties with neighboring Tofuku-ji. Funda-in has many interesting details in its interior: dried leaves embedded in the paper shoji screens from different plant leaves. Funda-in also has a very elaborate bamboo tsukubai water basin adorned with ikebana flower arrangements. The temple has three gardens: the South Garden is in front of the main hall and consists of raked gravel with a moss garden at the far end. On the moss lie two groups of stones: the one on the left represents a tortoise, the one on the right a crane. The East Garden is made up of lots of moss, stones and rhododendrons. In its far end is a small pavilion with a round window. The painter and Zen monk Sesshu is said to have designed the southern garden so the temple is also commonly called Sesshu-ji. The modern garden master Shigemori Mirei restored the garden and added the eastern garden.
    funda-in-04.jpg
  • Maple Leaf Shoji at Funda-in - founded in 1321 as a family temple for the Ichijo clan, but always had strong ties with neighboring Tofuku-ji.  Funda-in has many interesting details in its interior:  dried leaves embedded in the paper shoji screens from different plant leaves.  Funda-in also has a very elaborate bamboo tsukubai water basin adorned with ikebana flower arrangements. The temple has three gardens: the South Garden is in front of the main hall and consists of raked gravel with a moss garden at the far end. On the moss lie two groups of stones: the one on the left represents a tortoise, the one on the right a crane.  The East Garden is made up of lots of moss, stones and rhododendrons. In its far end is a small pavilion with a round window.
    funda-in-07.jpg
  • Maple Leaf Shoji at Funda-in - founded in 1321 as a family temple for the Ichijo clan, but always had strong ties with neighboring Tofuku-ji. Funda-in has many interesting details in its interior: dried leaves embedded in the paper shoji screens from different plant leaves. Funda-in also has a very elaborate bamboo tsukubai water basin adorned with ikebana flower arrangements. The temple has three gardens: the South Garden is in front of the main hall and consists of raked gravel with a moss garden at the far end. On the moss lie two groups of stones: the one on the left represents a tortoise, the one on the right a crane. The East Garden is made up of lots of moss, stones and rhododendrons. In its far end is a small pavilion with a round window.
    funda-in-08.jpg
  • Funda-in Moon Window at Sesshu-ji - Funda-in was founded in 1321 as a family temple for the Ichijo clan, but always had strong ties with neighboring Tofuku-ji. Funda-in has many interesting details in its interior: dried leaves embedded in the paper shoji screens from different plant leaves. Funda-in also has a very elaborate bamboo tsukubai water basin adorned with ikebana flower arrangements. The temple has three gardens: the South Garden is in front of the main hall and consists of raked gravel with a moss garden at the far end. On the moss lie two groups of stones: the one on the left represents a tortoise, the one on the right a crane. The East Garden is made up of lots of moss, stones and rhododendrons. In its far end is a small pavilion with a round window. The painter and Zen monk Sesshu is said to have designed the southern garden so the temple is also commonly called Sesshu-ji. The modern garden master Shigemori Mirei restored the garden and added the eastern garden.
    funda-in-05.jpg
  • Shinnyo-do was founded in 984 by priest Kaisan to enshrine a statue of Buddha of Paradise. The temple became famous as a training centre where one can practice the "Fudan Nenbutsu", a prayer to Buddha that lasts all day without any pause, a tradition evolved into "O-juja" a 10 day chanting prayer that is still performed every year.  Many famous people and families are buried in the temple.  Leaving the main hall, a covered path leads to two gardens.   The first is the Nehan "Nirvana" garden and was built in the classic karesansui rock garden style in 1988. It uses the borrowed andscape technique to include Mt. Hiei in its design. The second garden was designed by Shigemori Chisao - Its geometrical pattern is similar in design to his father Shigemori Mirei works at Tofuku-ji and elsewhere.
    shinnyo-do-4.jpg
  • Shinnyo-do was founded in 984 by priest Kaisan to enshrine a statue of Buddha of Paradise. The temple became famous as a training centre where one can practice the "Fudan Nenbutsu", a prayer to Buddha that lasts all day without any pause, a tradition evolved into "O-juja" a 10 day chanting prayer that is still performed every year.  Many famous people and families are buried in the temple.  Leaving the main hall, a covered path leads to two gardens.   The first is the Nehan "Nirvana" garden and was built in the classic karesansui rock garden style in 1988. It uses the borrowed andscape technique to include Mt. Hiei in its design. The second garden was designed by Shigemori Chisao - Its geometrical pattern is similar in design to his father Shigemori Mirei works at Tofuku-ji and elsewhere.
    shinnyo-do-2.jpg
  • Shinnyo-do was founded in 984 by priest Kaisan to enshrine a statue of Buddha of Paradise. The temple became famous as a training centre where one can practice the "Fudan Nenbutsu", a prayer to Buddha that lasts all day without any pause, a tradition evolved into "O-juja" a 10 day chanting prayer that is still performed every year.  Many famous people and families are buried in the temple.  Leaving the main hall, a covered path leads to two gardens.   The first is the Nehan "Nirvana" garden and was built in the classic karesansui rock garden style in 1988. It uses the borrowed andscape technique to include Mt. Hiei in its design. The second garden was designed by Shigemori Chisao - Its geometrical pattern is similar in design to his father Shigemori Mirei works at Tofuku-ji and elsewhere.
    shinnyo-do-3.jpg
  • Shinnyo-do was founded in 984 by priest Kaisan to enshrine a statue of Buddha of Paradise. The temple became famous as a training centre where one can practice the "Fudan Nenbutsu", a prayer to Buddha that lasts all day without any pause, a tradition evolved into "O-juja" a 10 day chanting prayer that is still performed every year.  Many famous people and families are buried in the temple.  Leaving the main hall, a covered path leads to two gardens.   The first is the Nehan "Nirvana" garden and was built in the classic karesansui rock garden style in 1988. It uses the borrowed andscape technique to include Mt. Hiei in its design. The second garden was designed by Shigemori Chisao - Its geometrical pattern is similar in design to his father Shigemori Mirei works at Tofuku-ji and elsewhere.
    shinnyo-do-9.jpg
  • Shinnyo-do was founded in 984 by priest Kaisan to enshrine a statue of Buddha of Paradise. The temple became famous as a training centre where one can practice the "Fudan Nenbutsu", a prayer to Buddha that lasts all day without any pause, a tradition evolved into "O-juja" a 10 day chanting prayer that is still performed every year.  Many famous people and families are buried in the temple.  Leaving the main hall, a covered path leads to two gardens.   The first is the Nehan "Nirvana" garden and was built in the classic karesansui rock garden style in 1988. It uses the borrowed andscape technique to include Mt. Hiei in its design. The second garden was designed by Shigemori Chisao - Its geometrical pattern is similar in design to his father Shigemori Mirei works at Tofuku-ji and elsewhere.
    December-8.jpg
  • Shinnyo-do was founded in 984 by priest Kaisan to enshrine a statue of Buddha of Paradise. The temple became famous as a training centre where one can practice the "Fudan Nenbutsu", a prayer to Buddha that lasts all day without any pause, a tradition evolved into "O-juja" a 10 day chanting prayer that is still performed every year.  Many famous people and families are buried in the temple.  Leaving the main hall, a covered path leads to two gardens.   The first is the Nehan "Nirvana" garden and was built in the classic karesansui rock garden style in 1988. It uses the borrowed andscape technique to include Mt. Hiei in its design. The second garden was designed by Shigemori Chisao - Its geometrical pattern is similar in design to his father Shigemori Mirei works at Tofuku-ji and elsewhere.
    shinnyo-do-8.jpg
  • Shinnyo-do was founded in 984 by priest Kaisan to enshrine a statue of Buddha of Paradise. The temple became famous as a training centre where one can practice the "Fudan Nenbutsu", a prayer to Buddha that lasts all day without any pause, a tradition evolved into "O-juja" a 10 day chanting prayer that is still performed every year.  Many famous people and families are buried in the temple.  Leaving the main hall, a covered path leads to two gardens.   The first is the Nehan "Nirvana" garden and was built in the classic karesansui rock garden style in 1988. It uses the borrowed andscape technique to include Mt. Hiei in its design. The second garden was designed by Shigemori Chisao - Its geometrical pattern is similar in design to his father Shigemori Mirei works at Tofuku-ji and elsewhere.
    shinnyo-do-5.jpg
  • Shinnyo-do was founded in 984 by priest Kaisan to enshrine a statue of Buddha of Paradise. The temple became famous as a training centre where one can practice the "Fudan Nenbutsu", a prayer to Buddha that lasts all day without any pause, a tradition evolved into "O-juja" a 10 day chanting prayer that is still performed every year.  Many famous people and families are buried in the temple.  Leaving the main hall, a covered path leads to two gardens.   The first is the Nehan "Nirvana" garden and was built in the classic karesansui rock garden style in 1988. It uses the borrowed andscape technique to include Mt. Hiei in its design. The second garden was designed by Shigemori Chisao - Its geometrical pattern is similar in design to his father Shigemori Mirei works at Tofuku-ji and elsewhere.
    shinnyo-do-1.jpg
  • Shinnyo-do was founded in 984 by priest Kaisan to enshrine a statue of Buddha of Paradise. The temple became famous as a training centre where one can practice the "Fudan Nenbutsu", a prayer to Buddha that lasts all day without any pause, a tradition evolved into "O-juja" a 10 day chanting prayer that is still performed every year.  Many famous people and families are buried in the temple.  Leaving the main hall, a covered path leads to two gardens.   The first is the Nehan "Nirvana" garden and was built in the classic karesansui rock garden style in 1988. It uses the borrowed andscape technique to include Mt. Hiei in its design. The second garden was designed by Shigemori Chisao - Its geometrical pattern is similar in design to his father Shigemori Mirei works at Tofuku-ji and elsewhere.
    shinnyo-do-7.jpg
  • Tofukuji South Garden, in front of the Hojo is the most contrived work among the four gardens and is composed of rock compositions symbolizing Elysian islands - from the east to the west named "Eiju, Horai, Koryo, and Hojo" - placed on the sand garden floor "Hakkai" meaning the eight seas and five moss covered sacred mountains at the western end.  The garden was designed by renowned landscape architect Mirei Shigemori and considered to be one of his most important and representative works.
    tofukuji-south-06.jpg
  • Tofukuji Temple eastern garden - Seven cylindrical stones are arranged in a field so as to represent main stars of the Great Bear of the heaven. These stones were originally foundation stones used at the other place in the temple.
    amber-lotus-111.jpg
  • Komyozenji was founded in 1273 during the Kamakura Period by Tetsugyu Enshin a nobleman of the Sugiwara family who in later life became a follower of the Zen priest Enni.  He had studied Zen in China and on his return founded Tofukuji in Kyoto. The stone garden in the front of the temple consists of raked gravel and fifteen stones arranged to form the kanji character for light, a reference to Buddhas halo.  Komyozenji's rear garden incorporates plants and moss along with stones and gravel representing water and land features.  Komyozenji is one of the highlights of any visit to Daizafu.
    Komyozenji-5.jpg
  • Komyozenji was founded in 1273 during the Kamakura Period by Tetsugyu Enshin a nobleman of the Sugiwara family who in later life became a follower of the Zen priest Enni.  He had studied Zen in China and on his return founded Tofukuji in Kyoto. The stone garden in the front of the temple consists of raked gravel and fifteen stones arranged to form the kanji character for light, a reference to Buddhas halo.  Komyozenji's rear garden incorporates plants and moss along with stones and gravel representing water and land features.  Komyozenji is one of the highlights of any visit to Daizafu.
    Komyozenji-7.jpg
  • Komyozenji was founded in 1273 during the Kamakura Period by Tetsugyu Enshin a nobleman of the Sugiwara family who in later life became a follower of the Zen priest Enni.  He had studied Zen in China and on his return founded Tofukuji in Kyoto. The stone garden in the front of the temple consists of raked gravel and fifteen stones arranged to form the kanji character for light, a reference to Buddhas halo.  Komyozenji's rear garden incorporates plants and moss along with stones and gravel representing water and land features.  Komyozenji is one of the highlights of any visit to Daizafu.
    Komyozenji-2.jpg
  • Komyozenji was founded in 1273 during the Kamakura Period by Tetsugyu Enshin a nobleman of the Sugiwara family who in later life became a follower of the Zen priest Enni.  He had studied Zen in China and on his return founded Tofukuji in Kyoto. The stone garden in the front of the temple consists of raked gravel and fifteen stones arranged to form the kanji character for light, a reference to Buddhas halo.  Komyozenji's rear garden incorporates plants and moss along with stones and gravel representing water and land features.  Komyozenji is one of the highlights of any visit to Daizafu.
    Komyozenji-6.jpg
  • Komyozenji was founded in 1273 during the Kamakura Period by Tetsugyu Enshin a nobleman of the Sugiwara family who in later life became a follower of the Zen priest Enni.  He had studied Zen in China and on his return founded Tofukuji in Kyoto. The stone garden in the front of the temple consists of raked gravel and fifteen stones arranged to form the kanji character for light, a reference to Buddhas halo.  Komyozenji's rear garden incorporates plants and moss along with stones and gravel representing water and land features.  Komyozenji is one of the highlights of any visit to Daizafu.
    Komyozenji-1.jpg
  • Komyozenji was founded in 1273 during the Kamakura Period by Tetsugyu Enshin a nobleman of the Sugiwara family who in later life became a follower of the Zen priest Enni.  He had studied Zen in China and on his return founded Tofukuji in Kyoto. The stone garden in the front of the temple consists of raked gravel and fifteen stones arranged to form the kanji character for light, a reference to Buddhas halo.  Komyozenji's rear garden incorporates plants and moss along with stones and gravel representing water and land features.  Komyozenji is one of the highlights of any visit to Daizafu.
    Komyozenji-4.jpg
  • Reiun-in was established in 1390 and has always had a tradtional Japanese garden on its grounds since its establishment but unfortunately the original was destroyed. However, there was a picture taken of the original during the Edo period, and modern Japanese garden designer Mirei Shigemori redesigned the garden using the original as a base. The garden was meant to express the true aspect of the great universe and is called Garden of Nine Mountains and Eight Seas
    reiun-in-garden-2.jpg
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