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  • Nankobo is temple No. 55 with a magnificent gate facing the main road, with four fierce guardians decorated with gold leaf.  The daishido is large and impressive. It’s the only temple of the 88 to be called “bo” instead of the typical “ji”. “Bo” means “small Buddhist temple”, which is ironic because Nankobo is one of the biggest of the 88. It stands in what is in effect a religious agglomeration, a complex of sandy plazas dotted with temple and shrine buildings that stretches for three city blocks.  Although it isn’t immediately obvious, the main hall of Nankobo is made of concrete. The original building was destroyed in the bombing of Imabari during WWII. The wooden gate at the entrance to the temple is of recent construction too, although its style is old. The temple guardians housed in the gate, front and back, are magnificently ferocious and expressive with their wooden and gilt highlights.
    temple-55-nankobo-9.jpg
  • Nankobo is temple No. 55 with a magnificent gate facing the main road, with four fierce guardians decorated with gold leaf.  The daishido is large and impressive. It’s the only temple of the 88 to be called “bo” instead of the typical “ji”. “Bo” means “small Buddhist temple”, which is ironic because Nankobo is one of the biggest of the 88. It stands in what is in effect a religious agglomeration, a complex of sandy plazas dotted with temple and shrine buildings that stretches for three city blocks.  Although it isn’t immediately obvious, the main hall of Nankobo is made of concrete. The original building was destroyed in the bombing of Imabari during WWII. The wooden gate at the entrance to the temple is of recent construction too, although its style is old. The temple guardians housed in the gate, front and back, are magnificently ferocious and expressive with their wooden and gilt highlights.
    temple-55-nankobo-4.jpg
  • Nankobo is temple No. 55 with a magnificent gate facing the main road, with four fierce guardians decorated with gold leaf.  The daishido is large and impressive. It’s the only temple of the 88 to be called “bo” instead of the typical “ji”. “Bo” means “small Buddhist temple”, which is ironic because Nankobo is one of the biggest of the 88. It stands in what is in effect a religious agglomeration, a complex of sandy plazas dotted with temple and shrine buildings that stretches for three city blocks.  Although it isn’t immediately obvious, the main hall of Nankobo is made of concrete. The original building was destroyed in the bombing of Imabari during WWII. The wooden gate at the entrance to the temple is of recent construction too, although its style is old. The temple guardians housed in the gate, front and back, are magnificently ferocious and expressive with their wooden and gilt highlights.
    temple-55-nankobo-7.jpg
  • Nankobo is temple No. 55 with a magnificent gate facing the main road, with four fierce guardians decorated with gold leaf.  The daishido is large and impressive. It’s the only temple of the 88 to be called “bo” instead of the typical “ji”. “Bo” means “small Buddhist temple”, which is ironic because Nankobo is one of the biggest of the 88. It stands in what is in effect a religious agglomeration, a complex of sandy plazas dotted with temple and shrine buildings that stretches for three city blocks.  Although it isn’t immediately obvious, the main hall of Nankobo is made of concrete. The original building was destroyed in the bombing of Imabari during WWII. The wooden gate at the entrance to the temple is of recent construction too, although its style is old. The temple guardians housed in the gate, front and back, are magnificently ferocious and expressive with their wooden and gilt highlights.
    temple-55-nankobo-6.jpg
  • Nankobo is temple No. 55 with a magnificent gate facing the main road, with four fierce guardians decorated with gold leaf.  The daishido is large and impressive. It’s the only temple of the 88 to be called “bo” instead of the typical “ji”. “Bo” means “small Buddhist temple”, which is ironic because Nankobo is one of the biggest of the 88. It stands in what is in effect a religious agglomeration, a complex of sandy plazas dotted with temple and shrine buildings that stretches for three city blocks.  Although it isn’t immediately obvious, the main hall of Nankobo is made of concrete. The original building was destroyed in the bombing of Imabari during WWII. The wooden gate at the entrance to the temple is of recent construction too, although its style is old. The temple guardians housed in the gate, front and back, are magnificently ferocious and expressive with their wooden and gilt highlights.
    temple-55-nankobo-3.jpg
  • Nankobo is temple No. 55 with a magnificent gate facing the main road, with four fierce guardians decorated with gold leaf.  The daishido is large and impressive. It’s the only temple of the 88 to be called “bo” instead of the typical “ji”. “Bo” means “small Buddhist temple”, which is ironic because Nankobo is one of the biggest of the 88. It stands in what is in effect a religious agglomeration, a complex of sandy plazas dotted with temple and shrine buildings that stretches for three city blocks.  Although it isn’t immediately obvious, the main hall of Nankobo is made of concrete. The original building was destroyed in the bombing of Imabari during WWII. The wooden gate at the entrance to the temple is of recent construction too, although its style is old. The temple guardians housed in the gate, front and back, are magnificently ferocious and expressive with their wooden and gilt highlights.
    temple-55-nankobo-2.jpg
  • Nankobo is temple No. 55 with a magnificent gate facing the main road, with four fierce guardians decorated with gold leaf.  The daishido is large and impressive. It’s the only temple of the 88 to be called “bo” instead of the typical “ji”. “Bo” means “small Buddhist temple”, which is ironic because Nankobo is one of the biggest of the 88. It stands in what is in effect a religious agglomeration, a complex of sandy plazas dotted with temple and shrine buildings that stretches for three city blocks.  Although it isn’t immediately obvious, the main hall of Nankobo is made of concrete. The original building was destroyed in the bombing of Imabari during WWII. The wooden gate at the entrance to the temple is of recent construction too, although its style is old. The temple guardians housed in the gate, front and back, are magnificently ferocious and expressive with their wooden and gilt highlights.
    temple-55-nankobo-1.jpg
  • Jisso-in Tsukabaim kakei, water basin, tsukubai, japanese basin, chozubachi, chozuya, temizuya, tsukubai, Japanese Water Basin, Tranquility;  Simplicity; serene, serenity, exterior space, nature, pattern, scenic, visual effect, no people, scenery, tranquil, tranquility, calm, historic sites, natural light, natural beauty, spirituality, simplicity, natural, landscapes, inspiration, inspiring, calming, calms, contemplative, meditative, mellow, peaceful, pleasant, beautiful, calmness,  idyllic, ideal, peacefulness, serenity, serene, nobody,
    tsukabai-60.jpg
  • To the south of the hojo at Kenninji Temple there is a dry or karesansui garden named "Daioen" which means grand garden. It is said that the pattern of white gravel symbolizes a field of clouds.  This effect is helped by the waves and ripples in the gravel which give this effect.
    kenninji-13.jpg
  • To the south of the hojo at Kenninji Temple there is a dry or karesansui garden named "Daioen" which means grand garden. It is said that the pattern of white gravel symbolizes a field of clouds.  This effect is helped by the waves and ripples in the gravel which give this effect.
    kenninji-11.jpg
  • Daioen Garden Window- To the south of the hojo at Kenninji Temple there is a dry or karesansui garden named "Daioen" which means grand garden. It is said that the pattern of white gravel symbolizes a field of clouds.  This effect is helped by the waves and ripples in the gravel which give this effect.
    kenninji-10.jpg
  • Suikinkutsu at Shobo-ji  - Suikinkutusu is a Japanese garden ornament and a sound producing device.  Also known as a "water harp" it is commonly part of a chozubachi, a place for washing the hands at a temple garden or before tea ceremony.  In the past these contraptions were called tosuimon.  The sound is made when water drops into the cavern below, reflecting on the enclosed jar underneath and creates a water echo effect such as in a cave.
    shobo-ji-amber-2.jpg
  • Genko-an garden plants and stones are arranged to create an elegant world of wabi and sabi,<br />
The temple is famous for two large windows.  “The Window of Enlightenment" is round, showing the harmony of the universe.  The squared window is called "The Window of Confusion" symbolising humans’ lives of suffering.  Both windows overlook the same garden, though the effect of looking through each window is quite different.  Genko-an Temple was originally built as a hermitage for the head priest of Daitoku-ji Temple, but was in time turned into a temple of the Soto sect of Zen Buddhism.
    genko-an-3.jpg
  • Genko-an garden plants and stones are arranged to create an elegant world of wabi and sabi,<br />
The temple is famous for two large windows.  “The Window of Enlightenment" is round, showing the harmony of the universe.  The squared window is called "The Window of Confusion" symbolising humans’ lives of suffering.  Both windows overlook the same garden, though the effect of looking through each window is quite different.  Genko-an Temple was originally built as a hermitage for the head priest of Daitoku-ji Temple, but was in time turned into a temple of the Soto sect of Zen Buddhism.
    genko-an-2.jpg
  • Genko-an garden plants and stones are arranged to create an elegant world of wabi and sabi,<br />
The temple is famous for two large windows.  “The Window of Enlightenment" is round, showing the harmony of the universe.  The squared window is called "The Window of Confusion" symbolising humans’ lives of suffering.  Both windows overlook the same garden, though the effect of looking through each window is quite different.  Genko-an Temple was originally built as a hermitage for the head priest of Daitoku-ji Temple, but was in time turned into a temple of the Soto sect of Zen Buddhism.
    genko-an-5.jpg
  • Genko-an is famous for its two large windows.  “The Window of Enlightenment" is round, showing the harmony of the universe.  The squared window is called "The Window of Confusion" symbolising humans’ lives of suffering.  Both windows overlook the same garden, though the effect of looking through each window is quite different.  The garden's plants and stones are arranged to create an elegant world of wabi and sabi.  Genko-an Temple was originally built as a hermitage for the head priest of Daitoku-ji Temple, but was later turned into a Zen temple.
    genko-an-1.jpg
  • Hakone Garden is the oldest Japanese garden in the Western Hemisphere. The garden is set in eighteen acres of in the hills of Saratoga overlooking Silicon Valley. Visitors to Hakone Garden can experience the calming effect of a Japanese garden in Northern California.
    hakone-garden-4.jpg
  • Suikinkutsu at Shobo-ji  - Suikinkutusu is a Japanese garden ornament and a sound producing device.  Also known as a "water harp" it is commonly part of a chozubachi, a place for washing the hands at a temple garden or before tea ceremony.  In the past these contraptions were called tosuimon.  The sound is made when water drops into the cavern below, reflecting on the enclosed jar underneath and creates a water echo effect such as in a cave.
    shobo-ji-19.jpg
  • 16.  Tenryuji 天龍寺 has been ranked first among Kyoto's ‘Five Great Zen Temples’.  Muso Soseki, the temple's founding abbot and famous garden designer, is said to have created Tenryuji's garden which, unlike the temple buildings,  survived several fires intact and is considered one of the oldest gardens of its kind. This is a shakkei or borrowed landscape garden, integrating the background scenery of the hills of Arashiyama as part of the garden's composition. Rather than physically entering the garden, it shows a 3D effect and was meant to be viewed from a distance.  It is often cited as a one of the best examples of the use of borrowed scenery gardens in Japan.
    16.KYOTO-TENRYUJI-03.jpg
  • 16.  Tenryuji 天龍寺 has been ranked first among Kyoto's ‘Five Great Zen Temples’.  Muso Soseki, the temple's founding abbot and famous garden designer, is said to have created Tenryuji's garden which, unlike the temple buildings,  survived several fires intact and is considered one of the oldest gardens of its kind. This is a shakkei or borrowed landscape garden, integrating the background scenery of the hills of Arashiyama as part of the garden's composition. Rather than physically entering the garden, it shows a 3D effect and was meant to be viewed from a distance.  It is often cited as a one of the best examples of the use of borrowed scenery gardens in Japan.
    16.KYOTO-TENRYUJI-02.jpg
  • 16.  Tenryuji 天龍寺 has been ranked first among Kyoto's ‘Five Great Zen Temples’.  Muso Soseki, the temple's founding abbot and famous garden designer, is said to have created Tenryuji's garden which, unlike the temple buildings,  survived several fires intact and is considered one of the oldest gardens of its kind. This is a shakkei or borrowed landscape garden, integrating the background scenery of the hills of Arashiyama as part of the garden's composition. Rather than physically entering the garden, it shows a 3D effect and was meant to be viewed from a distance.  It is often cited as a one of the best examples of the use of borrowed scenery gardens in Japan.
    16.KYOTO-TENRYUJI-01.jpg
  • Suikinkutusu is a Japanese garden ornament and a sound producing device.  Also known as a "water harp" it is commonly part of a chozubachi, a place for washing the hands at a temple garden or before tea ceremony.  In the past these contraptions were called tosuimon.  The sound is made when water drops into the cavern below, reflecting on the enclosed jar underneath and creates a water echo effect such as in a cave.
    tsukinkutsu-2.jpg
  • Suikinkutusu is a Japanese garden ornament and a sound producing device.  Also known as a "water harp" it is commonly part of a chozubachi, a place for washing the hands at a temple garden or before tea ceremony.  In the past these contraptions were called tosuimon.  The sound is made when water drops into the cavern below, reflecting on the enclosed jar underneath and creates a water echo effect such as in a cave.
    tsukinkutsu-1.jpg
  • Carp are seen in Japan (as well as in the rest of Asia) as a symbol of fortune.  These ponds used as an element of a landscape pond garden. Classic koi ponds have nishikigoi Japanese ornamental carps.  It is said that the design of a koi pond has a great effect on the well-being of the carp.
    carp-pond-09.jpg
  • Carp are seen in Japan (as well as in the rest of Asia) as a symbol of fortune.  These ponds used as an element of a landscape pond garden. Classic koi ponds have nishikigoi Japanese ornamental carps.  It is said that the design of a koi pond has a great effect on the well-being of the carp.
    carp-pond-10.jpg
  • Koi ponds are ponds used as part of a landscape pond garden.  Classic koi ponds have Nishikigoi  Japanese ornamental carps. The design of the koi pond has a great effect on the well-being of the carp.
    koi-pond-1.jpg
  • Genko-an garden plants and stones are arranged to create an elegant world of wabi and sabi,<br />
The temple is famous for two large windows.  “The Window of Enlightenment" is round, showing the harmony of the universe.  The squared window is called "The Window of Confusion" symbolising humans’ lives of suffering.  Both windows overlook the same garden, though the effect of looking through each window is quite different.  Genko-an Temple was originally built as a hermitage for the head priest of Daitoku-ji Temple, but was in time turned into a temple of the Soto sect of Zen Buddhism.
    genko-an-6.jpg
  • Hakone Garden is the oldest Japanese garden in the Western Hemisphere. The garden is set in eighteen acres of in the hills of Saratoga overlooking Silicon Valley. Visitors to Hakone Garden can experience the calming effect of a Japanese garden in Northern California.
    hakone-garden-1.jpg
  • Hakone Garden is the oldest Japanese garden in the Western Hemisphere. The garden is set in eighteen acres of in the hills of Saratoga overlooking Silicon Valley. Visitors to Hakone Garden can experience the calming effect of a Japanese garden in Northern California.
    hakone-garden-5.jpg
  • Carp are seen in Japan (as well as in the rest of Asia) as a symbol of fortune.  These ponds used as an element of a landscape pond garden. Classic koi ponds have nishikigoi Japanese ornamental carps.  It is said that the design of a koi pond has a great effect on the well-being of the carp.
    carp-pond-11.jpg
  • Koi ponds are ponds used as part of a landscape pond garden. Classic koi ponds have Nishikigoi Japanese ornamental carps. The design of the koi pond has a great effect on the well-being of the carp.
    hasedera-garden-13.jpg
  • Koi Pond at Taizoin - Koi ponds are used as part of a landscape garden with Nishikigoi   ornamental carps. It is said that the design of the koi pond has an effect on the well-being of the carp. Various sophisticated methods are used to protect the carp from predators.
    koi-pond-2.jpg
  • Genko-an garden plants and stones are arranged to create an elegant world of wabi and sabi,<br />
The temple is famous for two large windows.  “The Window of Enlightenment" is round, showing the harmony of the universe.  The squared window is called "The Window of Confusion" symbolising humans’ lives of suffering.  Both windows overlook the same garden, though the effect of looking through each window is quite different.  Genko-an Temple was originally built as a hermitage for the head priest of Daitoku-ji Temple, but was in time turned into a temple of the Soto sect of Zen Buddhism.
    genko-an-4.jpg
  • Genko-an garden plants and stones are arranged to create an elegant world of wabi and sabi,<br />
The temple is famous for two large windows.  “The Window of Enlightenment" is round, showing the harmony of the universe.  The squared window is called "The Window of Confusion" symbolising humans’ lives of suffering.  Both windows overlook the same garden, though the effect of looking through each window is quite different.  Genko-an Temple was originally built as a hermitage for the head priest of Daitoku-ji Temple, but was in time turned into a temple of the Soto sect of Zen Buddhism.
    genko-an-7.jpg
  • Isui-en Garden Maples - Isuien was created during the Meiji era and is the only strolling garden in Nara. It was originally two separate gardens, now combined into one.  The garden site original formed part of Manishu-in-  a minor temple which was part of the larger temple Kofuku-ji. In the central pond of the gardens, there are two islands with sculptures of a crane and tortoise. The back gardens were completed by using a technique called "borrowed landcape."  These make the space between the garden and background seem to disappear, producing a continuity which makes the landscape blend in visual harmony.
    isui-en-1.jpg
  • The garden of Shoren-in temple is believed to have been designed by Soami during the Muromachi era. The garden on the east side of Sokaden, known as the Garden of Kirishima, was designed by Enshu Kobori. The garden effectively utilises its surrounding natural beauty. To the south of the pond there is a waterfall, Sensin-no-taki, which flows from Mt. Awata. Located at the centre of the pond is a big stone; its shape gives the appearance of the back of a dragon bathing in the pond. Shoren-in temple is one of the five Monzeki temples of the Tendai sect in Kyoto; the head priests at these temples originally belonged to the imperial family.
    shoren-in-6.jpg
  • The garden of Shoren-in temple is believed to have been designed by Soami during the Muromachi era. The garden on the east side of Sokaden, known as the Garden of Kirishima, was designed by Enshu Kobori. The garden effectively utilises its surrounding natural beauty. To the south of the pond there is a waterfall, Sensin-no-taki, which flows from Mt. Awata. Located at the centre of the pond is a big stone; its shape gives the appearance of the back of a dragon bathing in the pond. Shoren-in temple is one of the five Monzeki temples of the Tendai sect in Kyoto; the head priests at these temples originally belonged to the imperial family.
    shoren-in-12.jpg
  • The garden of Shoren-in temple is believed to have been designed by Soami during the Muromachi era. The garden on the east side of Sokaden, known as the Garden of Kirishima, was designed by Enshu Kobori. The garden effectively utilises its surrounding natural beauty. To the south of the pond there is a waterfall, Sensin-no-taki, which flows from Mt. Awata. Located at the centre of the pond is a big stone; its shape gives the appearance of the back of a dragon bathing in the pond. Shoren-in temple is one of the five Monzeki temples of the Tendai sect in Kyoto; the head priests at these temples originally belonged to the imperial family.
    shoren-in-10.jpg
  • The garden of Shoren-in temple is believed to have been designed by Soami during the Muromachi era. The garden on the east side of Sokaden, known as the Garden of Kirishima, was designed by Enshu Kobori. The garden effectively utilises its surrounding natural beauty. To the south of the pond there is a waterfall, Sensin-no-taki, which flows from Mt. Awata. Located at the centre of the pond is a big stone; its shape gives the appearance of the back of a dragon bathing in the pond. Shoren-in temple is one of the five Monzeki temples of the Tendai sect in Kyoto; the head priests at these temples originally belonged to the imperial family.
    shoren-in-7.jpg
  • The garden of Shoren-in temple is believed to have been designed by Soami during the Muromachi era. The garden on the east side of Sokaden, known as the Garden of Kirishima, was designed by Enshu Kobori.  The garden effectively utilises its surrounding natural beauty.  To the south of the pond there is a waterfall, Sensin-no-taki, which flows from Mt. Awata. Located at the centre of the pond is a big stone; its shape gives the appearance of the back of a dragon bathing in the pond.  Shoren-in temple is one of the five Monzeki temples of the Tendai sect in Kyoto; the head priests at these temples originally belonged to the imperial family.
    shoren-in-5.jpg
  • The garden of Shoren-in temple is believed to have been designed by Soami during the Muromachi era. The garden on the east side of Sokaden, known as the Garden of Kirishima, was designed by Enshu Kobori.  The garden effectively utilises its surrounding natural beauty.  To the south of the pond there is a waterfall, Sensin-no-taki, which flows from Mt. Awata. Located at the centre of the pond is a big stone; its shape gives the appearance of the back of a dragon bathing in the pond.  Shoren-in temple is one of the five Monzeki temples of the Tendai sect in Kyoto; the head priests at these temples originally belonged to the imperial family.
    shoren-in-3.jpg
  • The garden of Shoren-in temple is believed to have been designed by Soami during the Muromachi era. The garden on the east side of Sokaden, known as the Garden of Kirishima, was designed by Enshu Kobori.  The garden effectively utilises its surrounding natural beauty.  To the south of the pond there is a waterfall, Sensin-no-taki, which flows from Mt. Awata. Located at the centre of the pond is a big stone; its shape gives the appearance of the back of a dragon bathing in the pond.  Shoren-in temple is one of the five Monzeki temples of the Tendai sect in Kyoto; the head priests at these temples originally belonged to the imperial family.
    shoren-in-4.jpg
  • The garden of Shoren-in temple is believed to have been designed by Soami during the Muromachi era. The garden on the east side of Sokaden, known as the Garden of Kirishima, was designed by Enshu Kobori.  The garden effectively utilises its surrounding natural beauty.  To the south of the pond there is a waterfall, Sensin-no-taki, which flows from Mt. Awata. Located at the centre of the pond is a big stone; its shape gives the appearance of the back of a dragon bathing in the pond.  Shoren-in temple is one of the five Monzeki temples of the Tendai sect in Kyoto; the head priests at these temples originally belonged to the imperial family.
    shoren-in-2.jpg
  • The garden of Shoren-in temple is believed to have been designed by Soami during the Muromachi era. The garden on the east side of Sokaden, known as the Garden of Kirishima, was designed by Enshu Kobori.  The garden effectively utilises its surrounding natural beauty.  To the south of the pond there is a waterfall, Sensin-no-taki, which flows from Mt. Awata. Located at the centre of the pond is a big stone; its shape gives the appearance of the back of a dragon bathing in the pond.  Shoren-in temple is one of the five Monzeki temples of the Tendai sect in Kyoto; the head priests at these temples originally belonged to the imperial family.
    shoren-in-1.jpg
  • The garden of Shoren-in temple is believed to have been designed by Soami during the Muromachi era. The garden on the east side of Sokaden, known as the Garden of Kirishima, was designed by Enshu Kobori. The garden effectively utilises its surrounding natural beauty. To the south of the pond there is a waterfall, Sensin-no-taki, which flows from Mt. Awata. Located at the centre of the pond is a big stone; its shape gives the appearance of the back of a dragon bathing in the pond. Shoren-in temple is one of the five Monzeki temples of the Tendai sect in Kyoto; the head priests at these temples originally belonged to the imperial family.
    shoren-in-13.jpg
  • The garden of Shoren-in temple is believed to have been designed by Soami during the Muromachi era. The garden on the east side of Sokaden, known as the Garden of Kirishima, was designed by Enshu Kobori. The garden effectively utilises its surrounding natural beauty. To the south of the pond there is a waterfall, Sensin-no-taki, which flows from Mt. Awata. Located at the centre of the pond is a big stone; its shape gives the appearance of the back of a dragon bathing in the pond. Shoren-in temple is one of the five Monzeki temples of the Tendai sect in Kyoto; the head priests at these temples originally belonged to the imperial family.
    shoren-in-14.jpg
  • The garden of Shoren-in temple is believed to have been designed by Soami during the Muromachi era. The garden on the east side of Sokaden, known as the Garden of Kirishima, was designed by Enshu Kobori. The garden effectively utilises its surrounding natural beauty. To the south of the pond there is a waterfall, Sensin-no-taki, which flows from Mt. Awata. Located at the centre of the pond is a big stone; its shape gives the appearance of the back of a dragon bathing in the pond. Shoren-in temple is one of the five Monzeki temples of the Tendai sect in Kyoto; the head priests at these temples originally belonged to the imperial family.
    shoren-in-9.jpg
  • The garden of Shoren-in temple is believed to have been designed by Soami during the Muromachi era. The garden on the east side of Sokaden, known as the Garden of Kirishima, was designed by Enshu Kobori. The garden effectively utilises its surrounding natural beauty. To the south of the pond there is a waterfall, Sensin-no-taki, which flows from Mt. Awata. Located at the centre of the pond is a big stone; its shape gives the appearance of the back of a dragon bathing in the pond. Shoren-in temple is one of the five Monzeki temples of the Tendai sect in Kyoto; the head priests at these temples originally belonged to the imperial family.
    shoren-in-11.jpg
  • The garden of Shoren-in temple is believed to have been designed by Soami during the Muromachi era. The garden on the east side of Sokaden, known as the Garden of Kirishima, was designed by Enshu Kobori. The garden effectively utilises its surrounding natural beauty. To the south of the pond there is a waterfall, Sensin-no-taki, which flows from Mt. Awata. Located at the centre of the pond is a big stone; its shape gives the appearance of the back of a dragon bathing in the pond. Shoren-in temple is one of the five Monzeki temples of the Tendai sect in Kyoto; the head priests at these temples originally belonged to the imperial family.
    shoren-in-8.jpg
  • Enmyoji is temple No. 53 on the Shikoku pilgrimage. The temple has tile sculptures on the roofs of its buildings with Wheel of Dharma features prominently as a motif.  The first point of interest is the Nio guardians in the gatehouse with fierce eyes made of translucent yellow material that rather make them look like aliens.  Near the graves, there is a vaguely crucifix stone, carved with a figure who is said to be Mary, mother of Jesus. Christianity was forbidden in Japan from the 1600s, but there were many hidden Christians in Shikoku. The location of the temple has changed over the centuries. Between 668 and 749, Gyoki visited the area and built a temple around it. The temple he built was close to the sea where the temple's Okunoin is today. He called the temple Enmyo-ji.  Kukai designated the temple as number fifty-three. The local Kono clan, whose ancestors were pirates, were benefactors of the temple. The temple burned down on several occasions, and the site was often in ruins until the Suga, a powerful local family moved the temple to its current site in the early 1600s.
    temple-53-enmyoji-11.jpg
  • Daikoji is temple No. 67 on the Shikoku Pilgrimage.  The temple is located in the countryside on the outskirts of Kannonji. The huge camphor tree in the compound is said to have been planted by Kukai. The statue is of Tendai Daishi, the Chinese founder of T’ien-t’ai Buddhism. The temple has Daishido Halls for both the Shingon and Tendai sects. Like many other temples, this temple was burned by the warriors of Chosokabe Motochika in the 16th century.  In 792 it was visited by Daishi on a preaching tour, then in 822 it was restored with an imperial edict by Emperor Saga, then later moved to a small hill surrounded by forest where it currently stands. At the time, there were 24 dwellings of the Shingon Sect and 12 of the Tendai Sect within the same compound, and while having such an unusual history of both sects studying within the same precincts, it is currently part of the Shingon Zentsuji Sect.
    temple-67-daikoji.jpg
  • Daikoji Temple Gate - Daikoji is temple No. 67 on the Shikoku Pilgrimage.  The temple is located in the countryside on the outskirts of Kannonji. The huge camphor tree in the compound is said to have been planted by Kukai. The statue is of Tendai Daishi, the Chinese founder of T’ien-t’ai Buddhism. The temple has Daishido Halls for both the Shingon and Tendai sects. Like many other temples, this temple was burned by the warriors of Chosokabe Motochika in the 16th century.  In 792 it was visited by Daishi on a preaching tour, then in 822 it was restored with an imperial edict by Emperor Saga, then later moved to a small hill surrounded by forest where it currently stands. At the time, there were 24 dwellings of the Shingon Sect and 12 of the Tendai Sect within the same compound, and while having such an unusual history of both sects studying within the same precincts, it is currently part of the Shingon Zentsuji Sect.
    temple-67-daikoji-5.jpg
  • Daikoji is temple No. 67 on the Shikoku Pilgrimage.  The temple is located in the countryside on the outskirts of Kannonji. The huge camphor tree in the compound is said to have been planted by Kukai. The statue is of Tendai Daishi, the Chinese founder of T’ien-t’ai Buddhism. The temple has Daishido Halls for both the Shingon and Tendai sects. Like many other temples, this temple was burned by the warriors of Chosokabe Motochika in the 16th century.  In 792 it was visited by Daishi on a preaching tour, then in 822 it was restored with an imperial edict by Emperor Saga, then later moved to a small hill surrounded by forest where it currently stands. At the time, there were 24 dwellings of the Shingon Sect and 12 of the Tendai Sect within the same compound, and while having such an unusual history of both sects studying within the same precincts, it is currently part of the Shingon Zentsuji Sect.
    temple-67-daikoji-2.jpg
  • Unpenji is Temple No. 66 on the Shikoku Pilgrimage. Although counted as being in Kagawa Prefecture, it’s actually just across the prefectural border in Tokushima. Located at an elevation of 911 metres, it is the highest temple on the pilgrimage and it’s one the nansho or ‘difficult places’ that test the will of pilgrims although the cable car that starts in Kagawa makes it much easier to get up to the top now.  In the temple grounds are masses of stone rakan statues of followers of the Buddha. There are also other statues of Kannon and Fudo, which are both National Treasures.  The temple was founded by Kukai in his youth and was dedicated by Emperor Kameyama who planted a gingko tree in the grounds.  At one time in its heyday the temple had seven shrines, twelve affiliated halls, and eight branch temples.
    temple-66-umpenji-13.jpg
  • Unpenji - Temple 66 on the Shikoku Pilgrimage-   Although Unpenji is much closer to the population centers of Ehime and Kagawa prefectures, but it is officially a part of Tokushima prefecture.  Unpenji temple is a Sekisho temple, a sort of spiritual checkpoint to ensure sincerity, and also a difficult one to reach.  What is the most impressive at Unpenji temple is the expressive and lifelike 500 Arhats - saints who gathered for the Buddhist Councils when the Buddha reached Nirvana. The expression of each 500 Arhati is different from each other. Some look thoughtful, some fierce, and a few with smiles. At 911 meters above the sea level, Unpenji is at the border between Tokushima and Kagawa Prefectures. Standing on the mountain, visitors can enjoy the panoramic view of the Sanuki plain, the Inland Sea and the mountains of Tokushima.
    temple-66-umpenji-6.jpg
  • Unpenji - Temple 66 on the Shikoku Pilgrimage-   Although Unpenji is much closer to the population centers of Ehime and Kagawa prefectures, but it is officially a part of Tokushima prefecture.  Unpenji temple is a Sekisho temple, a sort of spiritual checkpoint to ensure sincerity, and also a difficult one to reach.  What is the most impressive at Unpenji temple is the expressive and lifelike 500 Arhats - saints who gathered for the Buddhist Councils when the Buddha reached Nirvana. The expression of each 500 Arhati is different from each other. Some look thoughtful, some fierce, and a few with smiles. At 911 meters above the sea level, Unpenji is at the border between Tokushima and Kagawa Prefectures. Standing on the mountain, visitors can enjoy the panoramic view of the Sanuki plain, the Inland Sea and the mountains of Tokushima.
    temple-66-umpenji-1.jpg
  • Sankaku-ji is temple No. 65 on the Shikoku Pilgrimage, located at an elevation of 450 m near the top of a mountain. Its name, the 'triangular temple' refers to a triangular altar used by Kobo Daishi at the temple to exorcise a ghost. The triangle has been used as a holy symbol in many faith systems, including mythologies in Christian religions as well. This temple has its name from the a triangular altar, as well as a triangular mini lake on the premises as well.The temple is dedicated to easy childbirth. The temple features some spectacular wooden carving.  Sankaku-ji is devoted to Juichimen Kannon, the boddhisattva of compassion.
    temple-65-sankakuji-6.jpg
  • Sankaku-ji is temple No. 65 on the Shikoku Pilgrimage, located at an elevation of 450 m near the top of a mountain. Its name, the 'triangular temple' refers to a triangular altar used by Kobo Daishi at the temple to exorcise a ghost. The triangle has been used as a holy symbol in many faith systems, including mythologies in Christian religions as well. This temple has its name from the a triangular altar, as well as a triangular mini lake on the premises as well.The temple is dedicated to easy childbirth. The temple features some spectacular wooden carving.  Sankaku-ji is devoted to Juichimen Kannon, the boddhisattva of compassion.
    temple-65-sankakuji-4.jpg
  • Maegami-ji is temple No. 64 on the Shikoku Pilgrimage. The temple is located in the foothills of Mt. Ishizuchi, the highest mountain in western Japan. The temple was founded in 678 by En no Gyoja who was pursuing ascetic training on the summit of the mountain. The buildings take the architectural form of a Shinto shrine, reflecting the influence of the Shinto on Buddhism in Japan.  Kukai is said to have spent 21 days on the top of Mt. Ishizuchi performing a fire ritual. Mt. Ishizuchi dominates the scenery of Saijo. Maegami-ji Temple stands in a valley between the foothills of Ishizuchi. The mountain itself is revered as a god, and Maegami-ji means “the temple in front of the god”. Buddhism and Shinto have been closely interrelated over the centuries, and in layout of the grounds and architectural appearance of its main hall, this temple has a lot in common with Shinto shrines.
    temple-64-maegamiji-7.jpg
  • Fudo Waterfall at Maegami-ji - temple No. 64 on the Shikoku Pilgrimage. The temple is located in the foothills of Mt. Ishizuchi, the highest mountain in western Japan. The temple was founded in 678 by En no Gyoja who was pursuing ascetic training on the summit of the mountain. The buildings take the architectural form of a Shinto shrine, reflecting the influence of the Shinto on Buddhism in Japan.  Kukai is said to have spent 21 days on the top of Mt. Ishizuchi performing a fire ritual. Mt. Ishizuchi dominates the scenery of Saijo. Maegami-ji Temple stands in a valley between the foothills of Ishizuchi. The mountain itself is revered as a god, and Maegami-ji means “the temple in front of the god”. Buddhism and Shinto have been closely interrelated over the centuries, and in layout of the grounds and architectural appearance of its main hall, this temple has a lot in common with Shinto shrines.
    temple-64-maegamiji-5.jpg
  • Kouonji is temple No. 61 on the Shikoku pilgrimage. It stands close to the foothills of Mt. Ishizuchi in Saijo. Koon-ji is temple No. 61 on the Shikoku pilgrimage. It stands close to the foothills of Mt. Ishizuchi in Saijo.  Kouon-ji looks like a conventional temple from the entrance. There’s a pleasantly green area with cherry blossoms, a stand of old trees, a tea-house and mossy stones. But as you enter the big plaza in front of the temple, all you can see are concrete and tile buildings. When you approach, this slot is revealed to be a room containing a Buddhist altar.  Unlike most temples where the congregation sit on the floor, there are cinema-style seats in Koon-ji. This edifice was built in 1976. Outside, there’s a bell tower of conventional design, although made of concrete, an interesting pagoda and some aged-looking stone Buddhas.  With all of this modernity, you would probably be surprised to learn that this temple was founded by Prince Shotoku, the noble who first introduced Buddhism to Japan. The name Kouon-ji means Temple of the Incense Garden, for reasons that aren’t apparent today.
    temple-61-kuounji-1.jpg
  • Senyuji Temple is No. 58 on the Shikoku pilgrimage and one of the more impressively located pilgrimage temples standing on a hillside 1,300 feet above sea level which means that pilgrims who walk to it have quite a climb. The guardian statues in the gateway below the temple are impressive. Behind the daishi-do is a flight of concrete steps which leads up into the hill behind the temple. This path passes through pleasant woods of evergreen and trees including sasa bamboo. It’s lined at intervals with attractive Buddhist statues. The path leads to a hilltop with panoramic views of Imabari, the Shimanami-Kaido suspension bridge and the Seto Inland Sea. For this walk, sensible shoes are a must.  Sadly In 1947, all of the buildings built by Kobo Daishi between 810-824 burned down in a forest fire. They were rebuilt from 1953.  Senyu-ji is one of six pilgrimage temples located relatively close together in Imabari.
    temple-58-senyuji-8.jpg
  • Jizo at Senyuji - Senyuji Temple is No. 58 on the Shikoku pilgrimage and one of the more impressively located pilgrimage temples standing on a hillside 1,300 feet above sea level which means that pilgrims who walk to it have quite a climb. The guardian statues in the gateway below the temple are impressive. Behind the daishi-do is a flight of concrete steps which leads up into the hill behind the temple. This path passes through pleasant woods of evergreen and trees including sasa bamboo. It’s lined at intervals with attractive Buddhist statues. The path leads to a hilltop with panoramic views of Imabari, the Shimanami-Kaido suspension bridge and the Seto Inland Sea. For this walk, sensible shoes are a must.  Sadly In 1947, all of the buildings built by Kobo Daishi between 810-824 burned down in a forest fire. They were rebuilt from 1953.  Senyu-ji is one of six pilgrimage temples located relatively close together in Imabari.
    temple-58-senyuji-5.jpg
  • Senyuji Pilgrim Trail - Senyuji Temple is No. 58 on the Shikoku pilgrimage and one of the more impressively located pilgrimage temples standing on a hillside 1,300 feet above sea level which means that pilgrims who walk to it have quite a climb. The guardian statues in the gateway below the temple are impressive. Behind the daishi-do is a flight of concrete steps which leads up into the hill behind the temple. This path passes through pleasant woods of evergreen and trees including sasa bamboo. It’s lined at intervals with attractive Buddhist statues. The path leads to a hilltop with panoramic views of Imabari, the Shimanami-Kaido suspension bridge and the Seto Inland Sea. For this walk, sensible shoes are a must.  Sadly In 1947, all of the buildings built by Kobo Daishi between 810-824 burned down in a forest fire. They were rebuilt from 1953.  Senyu-ji is one of six pilgrimage temples located relatively close together in Imabari.
    temple-58-senyuji-4.jpg
  • Enmeiji is temple No. 54 on the Shikoku Henro Pilgrimage, dedicated to children lost in childbirth or aborted. The temple is unique in having two separate bell towers in its precincts. The temple was founded by Gyoki, and later restored by Kukai. It was renamed Enmeiji because it had previously had the same reading as No. 53 Enmyoji during the Meiji era. After several wars, they relocated the temple and settled at their present location.  Enmeiji is also called “The Temple of Long Life” and has been at its current location since 1727. Prayers for health and a long life are given here.
    temple-54-enmeiji-3.jpg
  • Buddha's Footprint at Enmyoji -  temple No. 53 on the Shikoku pilgrimage. The temple has tile sculptures on the roofs of its buildings with Wheel of Dharma features prominently as a motif.  The first point of interest is the Nio guardians in the gatehouse with fierce eyes made of translucent yellow material that rather make them look like aliens.  Near the graves, there is a vaguely crucifix stone, carved with a figure who is said to be Mary, mother of Jesus. Christianity was forbidden in Japan from the 1600s, but there were many hidden Christians in Shikoku. The location of the temple has changed over the centuries. Between 668 and 749, Gyoki visited the area and built a temple around it. The temple he built was close to the sea where the temple's Okunoin is today. He called the temple Enmyo-ji.  Kukai designated the temple as number fifty-three. The local Kono clan, whose ancestors were pirates, were benefactors of the temple. The temple burned down on several occasions, and the site was often in ruins until the Suga, a powerful local family moved the temple to its current site in the early 1600s.
    temple-53-enmyoji-13.jpg
  • Belltower and Gate at Enmyoji - temple No. 53 on the Shikoku pilgrimage. The temple has tile sculptures on the roofs of its buildings with Wheel of Dharma features prominently as a motif.  The first point of interest is the Nio guardians in the gatehouse with fierce eyes made of translucent yellow material that rather make them look like aliens.  Near the graves, there is a vaguely crucifix stone, carved with a figure who is said to be Mary, mother of Jesus. Christianity was forbidden in Japan from the 1600s, but there were many hidden Christians in Shikoku. The location of the temple has changed over the centuries. Between 668 and 749, Gyoki visited the area and built a temple around it. The temple he built was close to the sea where the temple's Okunoin is today. He called the temple Enmyo-ji.  Kukai designated the temple as number fifty-three. The local Kono clan, whose ancestors were pirates, were benefactors of the temple. The temple burned down on several occasions, and the site was often in ruins until the Suga, a powerful local family moved the temple to its current site in the early 1600s.
    temple-53-enmyoji-10.jpg
  • Belltower and Gate at Enmyoji - temple No. 53 on the Shikoku pilgrimage. The temple has tile sculptures on the roofs of its buildings with Wheel of Dharma features prominently as a motif.  The first point of interest is the Nio guardians in the gatehouse with fierce eyes made of translucent yellow material that rather make them look like aliens.  Near the graves, there is a vaguely crucifix stone, carved with a figure who is said to be Mary, mother of Jesus. Christianity was forbidden in Japan from the 1600s, but there were many hidden Christians in Shikoku. The location of the temple has changed over the centuries. Between 668 and 749, Gyoki visited the area and built a temple around it. The temple he built was close to the sea where the temple's Okunoin is today. He called the temple Enmyo-ji.  Kukai designated the temple as number fifty-three. The local Kono clan, whose ancestors were pirates, were benefactors of the temple. The temple burned down on several occasions, and the site was often in ruins until the Suga, a powerful local family moved the temple to its current site in the early 1600s.
    temple-53-enmyoji-4.jpg
  • Belltower and Gate at Enmyoji - temple No. 53 on the Shikoku pilgrimage. The temple has tile sculptures on the roofs of its buildings with Wheel of Dharma features prominently as a motif.  The first point of interest is the Nio guardians in the gatehouse with fierce eyes made of translucent yellow material that rather make them look like aliens.  Near the graves, there is a vaguely crucifix stone, carved with a figure who is said to be Mary, mother of Jesus. Christianity was forbidden in Japan from the 1600s, but there were many hidden Christians in Shikoku. The location of the temple has changed over the centuries. Between 668 and 749, Gyoki visited the area and built a temple around it. The temple he built was close to the sea where the temple's Okunoin is today. He called the temple Enmyo-ji.  Kukai designated the temple as number fifty-three. The local Kono clan, whose ancestors were pirates, were benefactors of the temple. The temple burned down on several occasions, and the site was often in ruins until the Suga, a powerful local family moved the temple to its current site in the early 1600s.
    temple-53-enmyoji-1.jpg
  • Enmyoji is temple No. 53 on the Shikoku pilgrimage. The temple has tile sculptures on the roofs of its buildings with Wheel of Dharma features prominently as a motif.  The first point of interest is the Nio guardians in the gatehouse with fierce eyes made of translucent yellow material that rather make them look like aliens.  Near the graves, there is a vaguely crucifix stone, carved with a figure who is said to be Mary, mother of Jesus. Christianity was forbidden in Japan from the 1600s, but there were many hidden Christians in Shikoku. The location of the temple has changed over the centuries. Between 668 and 749, Gyoki visited the area and built a temple around it. The temple he built was close to the sea where the temple's Okunoin is today. He called the temple Enmyo-ji.  Kukai designated the temple as number fifty-three. The local Kono clan, whose ancestors were pirates, were benefactors of the temple. The temple burned down on several occasions, and the site was often in ruins until the Suga, a powerful local family moved the temple to its current site in the early 1600s.
    temple-53-enmyoji-3.jpg
  • Taisanji is Temple No. 52 of the Shikoku 88 temple pilgrimage. The main hall which was rebuilt in 1305,has been designated as a National Treasure, while the Niomon Gate is an important national cultural property.  Taisanji has wonderful views of the Shikoku Mountains.  The main bhall is one of the more spectacular on the pilgrimage and said to have been built in one day by a merchant who was miraculously delivered from a storm while sailing with a cargo on the Inland Sea.  An unforgettable feature of Taisan-ji is the bell tower with its paintings of heaven and shocking picture of hell.
    temple-52-taisanji-1.jpg
  • Joruriji is temple No. 46 on the Shikoku Pilgrimage.  It stands among fields on a gentle slope in the south of Matsuyama.  The temple building is largely hidden from view by the tall trees that surround it. These ancient junipers are thought to be about 1,000 years old.  The grounds are composed of a beautiful, well-tended garden. Next to the main hall is a wisteria bower next to lotus ponds. The temple is believed to have a lot of divine favors, so it is also referred to as "Handyman of divine favors"Emon Saburo came from this area, and a stone monument is engraved with a haiku written by Masaoka Shiki.
    temple-46-jororiji-7.jpg
  • Ryukoji is Temple 41 on the Shikoku Pilgrimage and is located on a steep hillside with a fine view down a pastoral valley. Kukai is said to have founded it in 807.  The temple, which is associated both with dragons and rice which are celebrated in Japan’s native religion, also includes an attractive Shinto shrine in its precincts.  Ryuko-ji stands on a hillside up a steep flight of stone steps in a valley. The real interest at Ryuko-ji lies beyond the unremarkable temple buildings further up the hill where the shrines are. At the top of the stairs is a shrine to the Inari or fox deity, whose shrines are typically red. Its official name is Banfudasho Inariyama Gokokuin Ryuko.
    temple-41-ryukoji-6.jpg
  • Ryukoji is Temple 41 on the Shikoku Pilgrimage and is located on a steep hillside with a fine view down a pastoral valley. Kukai is said to have founded it in 807.  The temple, which is associated both with dragons and rice which are celebrated in Japan’s native religion, also includes an attractive Shinto shrine in its precincts.  Ryuko-ji stands on a hillside up a steep flight of stone steps in a valley. The real interest at Ryuko-ji lies beyond the unremarkable temple buildings further up the hill where the shrines are. At the top of the stairs is a shrine to the Inari or fox deity, whose shrines are typically red. Its official name is Banfudasho Inariyama Gokokuin Ryuko.
    temple-41-ryukoji-4.jpg
  • Ishite-ji - Temple 51 on the Shikoku Pilgrimage is one of the oldest and most beloved of all the 88 temples.  is considered to be one of the most spectacular of all the 88 temples along the trail. The sprawling Ishite-ji temple compound is composed of several halls, a three-storied pagoda and a unique inner temple connected to the main grounds via a cave. The dimly lit cave is remarkable in and of itself though dark and spooky. Ishiteji is known for its Niomon Gate, a designated national treasure.  All of these structures exhibit typical architectural style of the Kamakura Era.
    temple-41-ishiteji-47.jpg
  • Ishite-ji Pagoda - Ishiteji Temple 51 on the Shikoku Pilgrimage is one of the oldest and most beloved of all the 88 temples.  is considered to be one of the most spectacular of all the 88 temples along the trail. The sprawling Ishite-ji temple compound is composed of several halls, a three-storied pagoda and a unique inner temple connected to the main grounds via a cave. The dimly lit cave is remarkable in and of itself though dark and spooky. Ishiteji is known for its Niomon Gate, a designated national treasure.  All of these structures exhibit typical architectural style of the Kamakura Era.
    temple-41-ishiteji-40.jpg
  • Ishite-ji - Temple 51 on the Shikoku Pilgrimage is one of the oldest and most beloved of all the 88 temples.  is considered to be one of the most spectacular of all the 88 temples along the trail. The sprawling Ishite-ji temple compound is composed of several halls, a three-storied pagoda and a unique inner temple connected to the main grounds via a cave. The dimly lit cave is remarkable in and of itself though dark and spooky. Ishiteji is known for its Niomon Gate, a designated national treasure.  All of these structures exhibit typical architectural style of the Kamakura Era.
    temple-41-ishiteji-36.jpg
  • Ishite-ji Gate - Ishiteji is Temple 51 on the Shikoku Pilgrimage is one of the oldest and most beloved of all the 88 temples.  is considered to be one of the most spectacular of all the 88 temples along the trail. The sprawling Ishite-ji temple compound is composed of several halls, a three-storied pagoda and a unique inner temple connected to the main grounds via a cave. The dimly lit cave is remarkable in and of itself though dark and spooky. Ishiteji is known for its Niomon Gate, a designated national treasure.  All of these structures exhibit typical architectural style of the Kamakura Era.
    temple-41-ishiteji-33.jpg
  • Shoruji Waterfall -  temple No. 36 on the Shikoku Pilgrimage, located on a peninsula jutting into the Pacific Ocean. Pilgrims used to have to reach the temple by ferry, but in 1975 a bridge was built. The deity of the temple is is venerated as the guardian of fishermen. Shoryuji is known as the “Green Dragon Temple”. The environment is fantastically beautiful with bamboo forests and stairs dotted with statues and path markers. Shouryuuji is truly a highlight for any pilgrim. This temple houses the fierce “Dragon Fudou”.
    temple-36-shoryuji-13.jpg
  • Shoruji is temple No. 36 on the Shikoku Pilgrimage, located on a peninsula jutting into the Pacific Ocean. Pilgrims used to have to reach the temple by ferry, but in 1975 a bridge was built. The deity of the temple is is venerated as the guardian of fishermen. Shoryuji is known as the “Green Dragon Temple”. The environment is fantastically beautiful with bamboo forests and stairs dotted with statues and path markers. Shouryuuji is truly a highlight for any pilgrim. This temple houses the fierce “Dragon Fudou”.
    temple-36-shoryuji-11.jpg
  • Shoruji Temple Gate - temple No. 36 on the Shikoku Pilgrimage, located on a peninsula jutting into the Pacific Ocean. Pilgrims used to have to reach the temple by ferry, but in 1975 a bridge was built. The deity of the temple is is venerated as the guardian of fishermen. Shoryuji is known as the “Green Dragon Temple”. The environment is fantastically beautiful with bamboo forests and stairs dotted with statues and path markers. Shouryuuji is truly a highlight for any pilgrim. This temple houses the fierce “Dragon Fudou”.
    temple-36-shoryuji-9.jpg
  • Pagoda at Shoruji - temple No. 36 on the Shikoku Pilgrimage, located on a peninsula jutting into the Pacific Ocean. Pilgrims used to have to reach the temple by ferry, but in 1975 a bridge was built. The deity of the temple is is venerated as the guardian of fishermen. Shoryuji is known as the “Green Dragon Temple”. The environment is fantastically beautiful with bamboo forests and stairs dotted with statues and path markers. Shouryuuji is truly a highlight for any pilgrim. This temple houses the fierce “Dragon Fudou”.
    temple-36-shoryuji-3.jpg
  • Tosa Kokubunji - Temple 29 on the Shikoku Pilgrimage  - Tosa Kokubunji temple's history goes back more than 1200 years. The temple was constructed under the direction of Gyoki in the year 741 set in lush yet silent woods. The temple was once called Konkomyo Tennou Gokokunotera as it served as a place of worship for peace and tranquility, good harvests and the well being of all. Kokubunji Temple was later revived by Koubo Daishi as a temple of the Shingon Buddhist sect.  In 1922 a historical mound was discovered, which led to the entire temple grounds being designated as a National Cultural Heritage site. Excavation surveys held within the temple grounds in 1977 led to the discovery of the remains of dwellings dating back to the Yayoi period. Various emperors have used the temple as a place of rest.
    temple-29-tosa-kokubunji-9.jpg
  • Moss Garden at Dainichiji - the 28th temple on the Shikoku pilgrimage - the walk from the previous temple, Konomineji is about 38 kilometers, mostly along the coast, a full days walk and then some. Dainichiji is also the name of two other temples on the pilgrimage, the Temple Number 4 and Temple Number 13 in Tokushima Prefecture. According to legend Gyoki founded Dainichiji in the 8th century. He is credited with carving the statue of Dainichi which is a secret Buddha and is therefore not shown to the public. In the early 9th century Kobo Daishi stayed nearby and carved a statue of Yakushi Nyorai, the Medicine Buddha.  According to the legend he only used his fingernails to sculpt it out of a camphor tree. The temple has a reputation for healing head and upper body ailments and so is visited by those with such ailments.
    temple-29-dainichiji-6.jpg
  • Dainichiji is the 28th temple on the Shikoku pilgrimage - the walk from the previous temple, Konomineji is about 38 kilometers, mostly along the coast, a full days walk and then some. Dainichiji is also the name of two other temples on the pilgrimage, the Temple Number 4 and Temple Number 13 in Tokushima Prefecture. According to legend Gyoki founded Dainichiji in the 8th century. He is credited with carving the statue of Dainichi which is a secret Buddha and is therefore not shown to the public. In the early 9th century Kobo Daishi stayed nearby and carved a statue of Yakushi Nyorai, the Medicine Buddha.  According to the legend he only used his fingernails to sculpt it out of a camphor tree. The temple has a reputation for healing head and upper body ailments and so is visited by those with such ailments.
    temple-29-dainichiji-1.jpg
  • Vertical Garden at Konomineji - Temple 27 Konomineji is situated a long days walk - about 28 kilometers - from the previous temple, Kongochoji.  Konomineji is situated at 424 meters above sea level on the upper slope of Konomine Peak.  A section of the footpath leading to it is very steep, so the temple is called a Nansho Temple, meaning that it is hard to reach. It is one of the most difficult climbs in the entire pilgrimage, the path leading to the temple continues for more than a kilometre at a slope of 45 degrees. It is also classed as a sekisho, a kind of "spiritual checkpoint" where your motives are examined and if found wanting pilgrims would be unable to carry on with the pilgrimage. Konomineji was founded in the early 8th century by Gyoki who is credited with founding quite a few of the temples on the Shikoku Pilgrimage, about a century later Kobo Daishi visited and expanded the temple.  On the temple’s slopes is a beautifully sculpted vertical garden.
    konomineji-27-temple--19.jpg
  • Vertical Garden at Konomineji - Temple 27 Konomineji is situated a long days walk - about 28 kilometers - from the previous temple, Kongochoji.  Konomineji is situated at 424 meters above sea level on the upper slope of Konomine Peak.  A section of the footpath leading to it is very steep, so the temple is called a Nansho Temple, meaning that it is hard to reach. It is one of the most difficult climbs in the entire pilgrimage, the path leading to the temple continues for more than a kilometre at a slope of 45 degrees. It is also classed as a sekisho, a kind of "spiritual checkpoint" where your motives are examined and if found wanting pilgrims would be unable to carry on with the pilgrimage. Konomineji was founded in the early 8th century by Gyoki who is credited with founding quite a few of the temples on the Shikoku Pilgrimage, about a century later Kobo Daishi visited and expanded the temple.  On the temple’s slopes is a beautifully sculpted vertical garden.
    konomineji-27-temple--14.jpg
  • Vertical Garden at Konomineji - Temple 27 Konomineji is situated a long days walk - about 28 kilometers - from the previous temple, Kongochoji.  Konomineji is situated at 424 meters above sea level on the upper slope of Konomine Peak.  A section of the footpath leading to it is very steep, so the temple is called a Nansho Temple, meaning that it is hard to reach. It is one of the most difficult climbs in the entire pilgrimage, the path leading to the temple continues for more than a kilometre at a slope of 45 degrees. It is also classed as a sekisho, a kind of "spiritual checkpoint" where your motives are examined and if found wanting pilgrims would be unable to carry on with the pilgrimage. Konomineji was founded in the early 8th century by Gyoki who is credited with founding quite a few of the temples on the Shikoku Pilgrimage, about a century later Kobo Daishi visited and expanded the temple.  On the temple’s slopes is a beautifully sculpted vertical garden.
    konomineji-27-temple--12.jpg
  • Vertical Garden at Konomineji - Temple 27 Konomineji is situated a long days walk - about 28 kilometers - from the previous temple, Kongochoji.  Konomineji is situated at 424 meters above sea level on the upper slope of Konomine Peak.  A section of the footpath leading to it is very steep, so the temple is called a Nansho Temple, meaning that it is hard to reach. It is one of the most difficult climbs in the entire pilgrimage, the path leading to the temple continues for more than a kilometre at a slope of 45 degrees. It is also classed as a sekisho, a kind of "spiritual checkpoint" where your motives are examined and if found wanting pilgrims would be unable to carry on with the pilgrimage. Konomineji was founded in the early 8th century by Gyoki who is credited with founding quite a few of the temples on the Shikoku Pilgrimage, about a century later Kobo Daishi visited and expanded the temple.  On the temple’s slopes is a beautifully sculpted vertical garden.
    konomineji-27-temple--7.jpg
  • Vertical Garden at Konomineji - Temple 27 Konomineji is situated a long days walk - about 28 kilometers - from the previous temple, Kongochoji.  Konomineji is situated at 424 meters above sea level on the upper slope of Konomine Peak.  A section of the footpath leading to it is very steep, so the temple is called a Nansho Temple, meaning that it is hard to reach. It is one of the most difficult climbs in the entire pilgrimage, the path leading to the temple continues for more than a kilometre at a slope of 45 degrees. It is also classed as a sekisho, a kind of "spiritual checkpoint" where your motives are examined and if found wanting pilgrims would be unable to carry on with the pilgrimage. Konomineji was founded in the early 8th century by Gyoki who is credited with founding quite a few of the temples on the Shikoku Pilgrimage, about a century later Kobo Daishi visited and expanded the temple.  On the temple’s slopes is a beautifully sculpted vertical garden.
    konomineji-27-temple--2.jpg
  • Vertical Garden at Konomineji - Temple 27 Konomineji is situated a long days walk - about 28 kilometers - from the previous temple, Kongochoji.  Konomineji is situated at 424 meters above sea level on the upper slope of Konomine Peak.  A section of the footpath leading to it is very steep, so the temple is called a Nansho Temple, meaning that it is hard to reach. It is one of the most difficult climbs in the entire pilgrimage, the path leading to the temple continues for more than a kilometre at a slope of 45 degrees. It is also classed as a sekisho, a kind of "spiritual checkpoint" where your motives are examined and if found wanting pilgrims would be unable to carry on with the pilgrimage. Konomineji was founded in the early 8th century by Gyoki who is credited with founding quite a few of the temples on the Shikoku Pilgrimage, about a century later Kobo Daishi visited and expanded the temple.  On the temple’s slopes is a beautifully sculpted vertical garden.
    konomineji-27-temple--4.jpg
  • Vertical Garden at Konomineji - Temple 27 Konomineji is situated a long days walk - about 28 kilometers - from the previous temple, Kongochoji.  Konomineji is situated at 424 meters above sea level on the upper slope of Konomine Peak.  A section of the footpath leading to it is very steep, so the temple is called a Nansho Temple, meaning that it is hard to reach. It is one of the most difficult climbs in the entire pilgrimage, the path leading to the temple continues for more than a kilometre at a slope of 45 degrees. It is also classed as a sekisho, a kind of "spiritual checkpoint" where your motives are examined and if found wanting pilgrims would be unable to carry on with the pilgrimage. Konomineji was founded in the early 8th century by Gyoki who is credited with founding quite a few of the temples on the Shikoku Pilgrimage, about a century later Kobo Daishi visited and expanded the temple.  On the temple’s slopes is a beautifully sculpted vertical garden.
    konomineji-27-temple--1.jpg
  • Torii and Henro Trail at Yokomineji - temple number 60 on the Shikoku pilgrimage. It’s considered the most difficult temple to reach on the pilgrimage because of its location at 709 metres.  Yokomine-ji was originally an affiliated temple of the holy mountain Ishizuchi-san, which was worshiped as a Shinto deity. However, it became an independent Buddhist temple in 1869 at the start of the Meiji Period. Yokomine-ji is considered the most difficult temple to reach on the pilgrimage because of its location at 709 metres, the third highest on the pilgrimage. The temple grounds are famous for rhododendrons and hydrangea. En no Gyoja, the founder of Shugendo, erected the temple in 651 and its principal object of worship is one of the Tangible Cultural Properties of Japan, the seated figure of Dainichi Nyorai which is carved from Japanese cypress.
    temple-60-yokomineji-2.jpg
  • Iyo Kokubunji Temple is No. 59 on the Shikoku pilgrimage.  This is the only temple on the pilgrimage belonging to the Shingon Ritsu Sect. It was founded in 807 by Kobo Daishi, the founder of the pilgrimage, who carved the statue of Enmei Jizo Bosatsu. This deity is called the Helmsman Jizo, and fishermen believe that it protects them at sea. In the main hall there are thousands of small statues of Jizo donated by pilgrims from all over Japan. In the hands of each statue is a ship's wheel  There is a statue of Kobo Daishi on the grounds near the medicine ball, with which you can shake hands.
    temple-59-iyo-kokubunji-2.jpg
  • Iyo Kokubunji Temple is No. 59 on the Shikoku pilgrimage.  This is the only temple on the pilgrimage belonging to the Shingon Ritsu Sect. It was founded in 807 by Kobo Daishi, the founder of the pilgrimage, who carved the statue of Enmei Jizo Bosatsu. This deity is called the Helmsman Jizo, and fishermen believe that it protects them at sea. In the main hall there are thousands of small statues of Jizo donated by pilgrims from all over Japan. In the hands of each statue is a ship's wheel  There is a statue of Kobo Daishi on the grounds near the medicine ball, with which you can shake hands.
    temple-59-iyo-kokubunji-3.jpg
  • Daikoji is temple No. 67 on the Shikoku Pilgrimage.  The temple is located in the countryside on the outskirts of Kannonji. The huge camphor tree in the compound is said to have been planted by Kukai. The statue is of Tendai Daishi, the Chinese founder of T’ien-t’ai Buddhism. The temple has Daishido Halls for both the Shingon and Tendai sects. Like many other temples, this temple was burned by the warriors of Chosokabe Motochika in the 16th century.  In 792 it was visited by Daishi on a preaching tour, then in 822 it was restored with an imperial edict by Emperor Saga, then later moved to a small hill surrounded by forest where it currently stands. At the time, there were 24 dwellings of the Shingon Sect and 12 of the Tendai Sect within the same compound, and while having such an unusual history of both sects studying within the same precincts, it is currently part of the Shingon Zentsuji Sect.
    temple-67-daikoji-4.jpg
  • Unpenji is Temple No. 66 on the Shikoku Pilgrimage. Although counted as being in Kagawa Prefecture, it’s actually just across the prefectural border in Tokushima. Located at an elevation of 911 metres, it is the highest temple on the pilgrimage and it’s one the nansho or ‘difficult places’ that test the will of pilgrims although the cable car that starts in Kagawa makes it much easier to get up to the top now.  In the temple grounds are masses of stone rakan statues of followers of the Buddha. There are also other statues of Kannon and Fudo, which are both National Treasures.  The temple was founded by Kukai in his youth and was dedicated by Emperor Kameyama who planted a gingko tree in the grounds.  At one time in its heyday the temple had seven shrines, twelve affiliated halls, and eight branch temples.
    temple-66-umpenji-16.jpg
  • Unpenji is Temple No. 66 on the Shikoku Pilgrimage. Although counted as being in Kagawa Prefecture, it’s actually just across the prefectural border in Tokushima. Located at an elevation of 911 metres, it is the highest temple on the pilgrimage and it’s one the nansho or ‘difficult places’ that test the will of pilgrims although the cable car that starts in Kagawa makes it much easier to get up to the top now.  In the temple grounds are masses of stone rakan statues of followers of the Buddha. There are also other statues of Kannon and Fudo, which are both National Treasures.  The temple was founded by Kukai in his youth and was dedicated by Emperor Kameyama who planted a gingko tree in the grounds.  At one time in its heyday the temple had seven shrines, twelve affiliated halls, and eight branch temples.
    temple-66-umpenji-15.jpg
  • Henro Pilgrims at Unpenji - Temple No. 66 on the Shikoku Pilgrimage. Although counted as being in Kagawa Prefecture, it’s actually just across the prefectural border in Tokushima. Located at an elevation of 911 metres, it is the highest temple on the pilgrimage and it’s one the nansho or ‘difficult places’ that test the will of pilgrims although the cable car that starts in Kagawa makes it much easier to get up to the top now.  In the temple grounds are masses of stone rakan statues of followers of the Buddha. There are also other statues of Kannon and Fudo, which are both National Treasures.  The temple was founded by Kukai in his youth and was dedicated by Emperor Kameyama who planted a gingko tree in the grounds.  At one time in its heyday the temple had seven shrines, twelve affiliated halls, and eight branch temples.
    temple-66-umpenji-14.jpg
  • Unpenji is Temple No. 66 on the Shikoku Pilgrimage. Although counted as being in Kagawa Prefecture, it’s actually just across the prefectural border in Tokushima. Located at an elevation of 911 metres, it is the highest temple on the pilgrimage and it’s one the nansho or ‘difficult places’ that test the will of pilgrims although the cable car that starts in Kagawa makes it much easier to get up to the top now.  In the temple grounds are masses of stone rakan statues of followers of the Buddha. There are also other statues of Kannon and Fudo, which are both National Treasures.  The temple was founded by Kukai in his youth and was dedicated by Emperor Kameyama who planted a gingko tree in the grounds.  At one time in its heyday the temple had seven shrines, twelve affiliated halls, and eight branch temples.
    temple-66-umpenji-11.jpg
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